A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well, they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.
URSULA LE GUIN
Artistic style is only a means to an end, and the more styles you have, the better. To get trapped in a style is to lose all flexibility. If you have only one style, then you’re going to do the same book over and over, which is pretty dull. Lots of styles permit you to walk in and out of books. So, develop a fine style, a fat style, and fairly slim style, and a really rough style.
ELIZABETH HARDWICK
Writing is a process that’s entirely totalitarian. A writer is a tyrant, a dictator. He has complete power over every comma, every sentence, every character. When I’m writing, I’m the boss — I’m in charge. When the book is published, the political nature of it changes completely. People can read my books in whatever way they want to. I don’t want any control over the process of reading, it’s democratic: and furthermore, between the reader and the book there opens up a space of complete freedom, which is also private. In a democracy, we have a private voting booth. It’s secret. So the difference between reading and writing is the difference between democracy and tyranny.
PHILIP PULLMAN
Beware of the metaphor. It is the spirit of good prose. It gives the reader a picture, a glimpse of what the subject really looks like to the writer. But it is dangerous, can easily get tangled and insistent, and more so when it almost works: don’t have a violent explosion pave the way for a new growth.
SHERIDAN BAKER
Anytime you write something, you go through so many phases. You go through the “I'm a Fraud' phase.” You go through the “I'll Never Finish” phase. And every once in a while you think, “What if I actually have created what I set out to create, and it's received as such?”
LIN-MANUEL MIRANDA
I may be wrong about this, but it seems as though so much fiction, particularly that by younger people, is very much about themselves. Love and death and stuff, but my love, my death, my this, my that. Everybody else is a light character in that play. When I taught creative writing at Princeton, [my students] had been told all of their lives to write what they knew. I always began the course by saying, “Don’t pay any attention to that.” First, because you don’t know anything and second, because I don’t want to hear about your true love and your mama and your papa and your friends. Think of somebody you don’t know. What about a Mexican waitress in the Rio Grande who can barely speak English? Or what about a Grande Madame in Paris? Things way outside their camp. Imagine it, create it. Don’t record and editorialize on some event that you’ve already lived through. I was always amazed at how effective that was. They were always out of the box when they were given license to imagine something wholly outside their existence. I thought it was a good training for them. Even if they ended up just writing an autobiography, at least they could relate to themselves as strangers.
TONI MORRISON
When you write, you lay out a line of words. The line of words is a miner’s pick, a woodcarver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year.
ANNIE DILLARD
A narrative is like a room on whose walls a number of false doors have been painted; while within the narrative, we have many apparent choices of exit, but when the author leads us to one particular door, we know it is the right one because it opens.
JOHN UPDIKE
Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had.
ANNA QUINDLEN
From my childhood, I remember talking to people, and the stories they told me were more interesting than what’s in books. People tell me extraordinary things, and I realize that there is nothing in the world about which we know anything for sure. Each person screams out his or her truth. You have to listen to everyone. As an artist, you have to listen to both the executioner and the victim.
SVETLANA ALEXIEVICH
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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