Three Steps to Good Prose
/Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
WALTER BENJAMIN
Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
WALTER BENJAMIN
Stop NOT writing. Just do it, badly. Just write the thing you need or want to write, that you are avoiding. That avoidance is costing you greatly, isometrically, and in general well-being. So can you find one measly hour, to write, badly?
ANNE LAMOTT
Writing is not like dancing or modeling; it's not something where—if you missed it by age 19—you're finished. It's never too late. Your writing will only get better as you get older and wiser. If you write something beautiful and important, and the right person somehow discovers it, they will clear room for you on the bookshelves of the world—at any age. At least try.
ELIZABETH GILBERT
You get really clear that you aren’t writing solely for the public. You’re clear that you have to find the more immediate rewards of writing. You might as well be in love with whatever you’re working on whether or not it’s a success. Writing is never wasted time.
CHUCK PALAHNIUK
Only two things happen to writers when they die: Either their work survives, or it becomes forgotten. Someone will turn up an old box and say, "Who's this guy Irving Wallace?" There's no rhyme or reason to it. Ask kids in high school, "Who is Somerset Maugham?" They're not going to know. He wrote books that were bestsellers in their time. But he's well-forgotten now, whereas Agatha Christie has never been more popular. She just goes from one generation to another. She's not as good a writer as Maugham, and she certainly didn't try to do anything other than entertain people. So I don't know what will happen.
STEPHEN KING
Read the best writers: maybe it would help to set a goal of one classic per year at least. Classics have stood the test of time, as we say. Keep trying them, if you don’t like them at first—come back to them. I tried Joyce’s Ulysses three times before I read it all the way through. (It helped that I was living in Ireland at the time, where I saw Joycean and Beckettian characters all around me.) I haven’t yet read Don Quixote, but I think I’ll actually enjoy it.
LYDIA DAVIS
Unless you’re a doubter and a worrier, a nail-biter, an apologizer, a rethinker, then memoir may not be your playpen. That’s the quality I’ve found most consistently in those life-story writers I’ve met. Truth is not their enemy. It’s the bannister they grab for when feeling around on the dark cellar stairs.
MARY KARR
It’s not that you get a cliché and then wiggle it about or use synonyms. You don’t take an ordinary decorative paragraph and give it style. What you’re trying to do is be faithful to your perceptions and transmit them as faithfully as you can. I say these sentences until they sound right. There’s no objective reason why they’re right. They just sound right to me.
MARTIN AMIS
Writing is not typing. Thinking, researching, contemplating, outlining, composing in your head and in sketches, maybe some typing, with revisions as you go, and then more revisions, deletions, emendations, additions, reflections, setting aside and returning afresh, because a good writer is always a good editor of his or her own work. Typing is this little transaction in the middle of two vast thoughtful processes.
REBECCA SOLNIT
You can teach almost anyone determined to learn them the basics required to write sentences and paragraphs that say what you want them to say clearly and concisely. It's far more difficult to get people to think like a writer, to give up conventional habits of mind and emotion. You must be able to step inside your character's skin and at the same time to remain outside the dicey circumstances you have maneuvered her into. I can't remember how many times I advised students to stop writing the sunny hours and write from where it hurts: "No one wants to read polite. It puts them to sleep."
ANNE BERNAYS
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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