Do What Works

There are so many different kinds of writing and so many ways to work that the only rule is this: do what works. Almost everything has been tried and found to succeed for somebody. The methods, even the ideas, of successful writers contradict each other in a most heartening way, and the only element I find common to all successful writers is persistence—an overwhelming determination to succeed.

SOPHY BURNHAM

Have No Unreasonable Fear of Repetition

Have no unreasonable fear of repetition. True, the repetition of a particular word several times in the same paragraph can strike a jarring note, but ordinarily the problem arises differently. The story is told of a feature writer who was doing a piece on the United Fruit Company. He spoke of bananas once; he spoke of bananas twice; he spoke of bananas yet a third time, and now he was desperate. “The world’s leading shippers of the elongated yellow fruit,” he wrote. A fourth banana would have been better.

JAMES J. KILPATRICK

Film Is Behavior

I've found with most young screenwriters, they try to tell their story through dialogue, through words, and not with action. What they don't understand is, film is behavior, creating an emotional situation that the character reacts to. When the story is told more with words than visuals, it makes for a bad, talky-talky screenplay, where the main character becomes very passive. The main character must always be active. He has to initiate the action.

SYD FIELD

Allow Yourself to Write Poorly

First, you get the idea. It may germinate for a long time or it just pops into your head. And then you work out a structure. And when you feel confident enough, you start to write. And you have to allow yourself the liberty of writing poorly. You have to get the bulk of it done, and then you start to refine it. You have to put down less than marvelous material just to keep going to whatever you think the end is going to be—which may be something else altogether by the time you get there.

LARRY GELBART

Examine What Happens When You Read

Examine what happens when you read. Young writers tend to forget or ignore what’s actually going on when they’re reading. Which is to say, when one reads, one has oral and visual hallucinations and it’s the writer’s job to control those oral and visual hallucinations. So I’m always trying to make young writers think about what goes on when they’re sitting in a chair and reading fiction.

RUSSELL BANKS