Leave Something Behind

It is the deepest desire of every writer, the one we never admit or even dare to speak of: to write a book we can leave as a legacy. And although it is sometimes easy to forget, wanting to be a writer is not about reviews or advances or how many copies are printed or sold. It is much simpler than that, and much more passionate. If you do it right, and if they publish it, you may actually leave something behind that can last forever.

ALICE HOFFMAN

Vigorous Writing Is Concise

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell.

WILLIAM STRUNK, JR.

Art Is Work

If you have to find devices to coax yourself to stay focused on writing, perhaps you should not be writing what you're writing. And if this lack of motivation is a constant problem, perhaps writing is not your forte. I mean, what is the problem? If writing bores you, that is pretty fatal. If that is not the case, but you find that it is hard going and it just doesn't flow, well, what did you expect? It is work; art is work.

URSULA K. LE GUIN

Vanity Publishing

With one exception, any publication opportunity you can seize is worth seizing; ever-widening ripples move out from even the smallest splash. Something more like a self-contained plop is all you’re likely to get, however, if you resort to a vanity press. Vanity publishing is not the same as either subsidy publishing or self-publishing, though the terms are often used as if they were synonymous. Subsidy publishing is best defined by its guaranteed audience; self-publishing is partly defined by its realistic efforts to find an appropriate audience; vanity publishing frequently involves no audience at all.

JUDITH APPELBAUM

How to Write Good

Avoid run-on sentences that are hard to read.

No sentence fragments.

It behooves us to avoid archaisms.

Also, avoid awkward or affected alliteration.

Don't use no double negatives.

If I've told you once, I've told you a thousand times, "Resist hyperbole."

Avoid commas, that are not necessary.

Verbs has to agree with their subjects.

Avoid trendy locutions that sound flaky.

Writing carefully, dangling participles should not be used.

Kill all exclamation points!!!

Never use a long word when a diminutive one will do.

Proofread carefully to see if you any words out.

Take the bull by the hand and don't mix metaphors.

Don't verb nouns.

Never, ever use repetitive redundancies.

Last but not least, avoid clichés like the plague.

WILLIAM SAFIRE

You Set the Story in Motion

It's like making a movie: All sorts of accidental things will happen after you've set up the cameras. So you get lucky. Something will happen at the edge of the set and perhaps you start to go with that; you get some footage of that. You come into it accidentally. You set the story in motion, and as you're watching this thing begin, all these opportunities will show up.

KURT VONNEGUT

Finish Your First Draft

The best advice on writing was given to me by my first editor, Michael Korda, of Simon and Schuster, while writing my first book. "Finish your first draft and then we'll talk," he said. It took me a long time to realize how good the advice was. Even if you write it wrong, write and finish your first draft. Only then, when you have a flawed whole, do you know what you have to fix.

DOMINICK DUNNE