Be Careful How You Introduce Your Characters

You must be very careful how you introduce your characters. The star plan is to talk about them before they appear so as to make the audience curious to see them, and sufficiently informed about them to save them the trouble of explaining their circumstance. But as some of the characters must open the play and cannot be prepared in this way, you must either fall back on the Parisian well-made play formula and begin with a conversation between the butler and housemaid or else start the characters with a strongly assertive scene, like Richard III.

GEORGE BERNARD SHAW

Leave Something Behind

It is the deepest desire of every writer, the one we never admit or even dare to speak of: to write a book we can leave as a legacy. And although it is sometimes easy to forget, wanting to be a writer is not about reviews or advances or how many copies are printed or sold. It is much simpler than that, and much more passionate. If you do it right, and if they publish it, you may actually leave something behind that can last forever.

ALICE HOFFMAN

Vigorous Writing Is Concise

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell.

WILLIAM STRUNK, JR.

Art Is Work

If you have to find devices to coax yourself to stay focused on writing, perhaps you should not be writing what you're writing. And if this lack of motivation is a constant problem, perhaps writing is not your forte. I mean, what is the problem? If writing bores you, that is pretty fatal. If that is not the case, but you find that it is hard going and it just doesn't flow, well, what did you expect? It is work; art is work.

URSULA K. LE GUIN