Read almost any newspaper interview, and you’ll conclude that the dialogue of real people is more stilted and implausible than the dialogue of invented characters. Trying to make real people sound real on the page is necessarily an exercise in impressionism. Nothing teaches one the subtleties of punctuation so well as an attempt to take a skein of actual speech and restore to it the pauses, ellipses, switches of tone and speed, that it had in life.
JONATHAN RABAN
Write what you really think and mean, not what you think you should think and not what you thought you would think and not what you hope it will mean, but what is really authentic and true.
SUSAN ORLEAN
When you start reading in a certain way that’s already the beginning of your writing. You’re learning what you admire and you’re learning to love other writers. The love of other writers is an important first step.
TESS GALLAGHER
One of the amusements of being old is that I have no illusions about my literary position. I have been taken very seriously, but I have also seen essays by clever young men on contemporary fiction who would never think of considering me. I no longer mind what people think. On the whole, I have done what I set out to do. Now my age makes everyone take me very seriously. If you are a writer, live a long time. I have found that longevity counts more than talent.
W. SOMERSET MAUGHAM
If you read good books, when you write, good books will come out of you. Maybe it’s not quite that easy, but if you want to learn something, go to the source. Basho, the great seventeenth-century Haiku master said, “If you want to know about a tree, go to the tree.” If you want to know poetry, read it, listen to it. Let those patterns and forms be imprinted in you. Don’t step away from poetry to analyze a poem with your logical mind. Enter poetry with your whole body. Dogen, a great Zen master, said, “If you walk in the mist, you get wet.” So just listen, read, and write. Little by little, you will come closer to what you need to say and express it through your voice.
NATALIE GOLDBERG
If you want to be remembered as a clever person and even as a benefactor of humanity, don't write a novel, or even talk about it; instead, compile tables of compound interest, assemble weather data running back seventy-five years, or develop in tabular form improved actuarial information. All more useful than anything "creative" most people could come up with, and less likely to subject the author to neglect, if not ridicule and contempt. In addition, it will be found that most people who seek attention and regard by announcing that they're writing a novel are actually so devoid of narrative talent that they can't hold the attention of a dinner table for thirty seconds, even with a dirty joke.
PAUL FUSSELL
Beware of the metaphor. It is the spirit of good prose. It gives the reader a picture, a glimpse of what the subject really looks like to the writer. But it is dangerous, can easily get tangled and insistent, and more so when it almost works: don’t have a violent explosion pave the way for a new growth.
SHERIDAN BAKER
If you are going to learn from other writers don’t only read the great ones, because if you do that you’ll get so filled with despair and the fear that you’ll never be able to do anywhere near as well as they did that you’ll stop writing. I recommend that you read a lot of bad stuff, too. It’s very encouraging. “Hey, I can do so much better than this.” Read the greatest stuff but read the stuff that isn’t so great, too. Great stuff is very discouraging.
EDWARD ALBEE
When I used to teach creative writing, I would tell the students to make their characters want something right away—even if it’s only a glass of water. Characters paralyzed by the meaninglessness of modern life still have to drink water from time to time.
KURT VONNEGUT
In a longish life as a professional writer, I have heard a thousand masterpieces talked out over bars, restaurant tables and love seats. I have never seen one of them in print. Books must be written, not talked.
MORRIS L. WEST
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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