Happy are they who don't doubt themselves and whose pens fly across the page. I myself hesitate, I falter, I become angry and fearful, my drive diminishes as my taste improves, and I brood more over an ill-suited word than I rejoice over a well-proportioned paragraph.
GUSTAVE FLAUBERT
Most people quit. If you don’t quit, if you rewrite, if you keep publishing in fancier places, you will understand that “What’s the secret?” is not the question, which is, “Are you having fun?”
ROBERT LIPSYTE
It’s a job. It’s not a hobby. You don’t write the way you build a model airplane. You have to sit down and work, to schedule your time and stick to it. Even if it’s just for an hour or so each day, you have to get a babysitter and make the time. If you’re going to make writing succeed you have to approach it as a job.
ROSELLEN BROWN
Nouns, verbs, are the workhorses of language. Especially in dialogue, don’t say, “she said mincingly,” or “he said boisterously.” Just say, “he said, she said.”
JOHN P. MARQUAND
After suggesting [that young writers] look into The Writer's Chapbook I recommend they keep a diary, at least a page a day, and faithfully, and also to get into the habit of letter writing to other writers. The advantages that come with doing this seem obvious—both are exercises which hone the communicative skills.
GEORGE PLIMPTON
A writer friend advised, when I was starting out on my first book: “write like you talk.” I took that to mean that good writing must have a conversational quality, should not be arch or pretentious. And as you are aware when speaking to others when their attention lapses, so when writing you must think: How do I hold the reader’s attention?
KEN AULETTA
The writer’s fundamental attempt is to understand the meaning of his own experiences. If he can’t break through those issues that concern him deeply, he’s not going to be very good.
ROBERT PENN WARREN
The protagonist of a play cannot be a perfect person. If he were, he could not improve, and he must come out at the end of the play a more admirable human being than he went in.
MAXWELL ANDERSON
Metaphor is supposed to state the unknown in terms of the known. It is supposed to say X equals Y. Yet when we say “John is a lion,” we do not think of John with a mane, with four clawed paws, nor with a pompon tipped tail. We extract from “lion” the emotional equivalent we need and let the rest go. The real metaphoric formula is X does-and-does-not-equal Y.
JOHN CIARDI
When editors buy from a proposal—which is most of the time—they presume that the manuscript has yet to be written, which is true most of the time. I believe, therefore, that it is better not to disabuse them of this notion. Better, I believe, to remove the manuscript from the submission process altogether and to submit a proposal for your book even if it is already written. In addition to giving the editor less to turn down, you will probably want to rework the manuscript anyway based on the editorial feedback you have received from the proposal.
JOHN BOSWELL
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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