There Is No Language In A Screenplay

There is no language in a screenplay. (For me, dialogue doesn’t count as language.) What passes for language in a screenplay is rudimentary, like the directions for assembling a complicated children’s toy. The only aesthetic is to be clear. Even the act of reading a screenplay is incomplete. A screenplay, as a piece of writing, is merely the scaffolding for a building someone else is going to build. The director is the builder. (When I feel like being a director, I write a novel.)

JOHN IRVING

The Knickerbocker Rule

I worked in the Hallmark public relations department for a man named Conrad Knickerbocker, the public relations manager, who had already begun publishing book reviews and fiction. After I got to know Knick a little, I asked him timidly how you become a writer. . . . He said, “Rhodes, you apply ass to chair.” I call that solid gold advice the Knickerbocker Rule.

RICHARD RHODES

Find Another Source of Income

The first thing a writer has to do is find another source of income. Then, after you have begged, borrowed, stolen, or saved up the money to give you time to write and you spend all of it staying alive while you write, and you write your heart out, after all that, maybe no one will publish it, and, if they publish it, maybe no one will read it.

ELLEN GILCHRIST

Don't Leave A Word Misspelled

Don’t leave a word misspelled [in your script]. With spell-check programs on most computers, it is easier to produce perfect, clean scripts. But you still have to read every word carefully. It’s a safe bet that a script will be rejected if it has half a dozen typos or other errors in the first ten pages. If you don’t care enough to make it clean, the rest of us don’t waste time reading it. The same goes for grammar. No excuses here.

TONY BILL