Respect Your Reader
/Respect your reader. The niftiest turn of phrase, the most elegant flight of rhetorical fancy, isn’t worth beans next to a clear thought clearly expressed.
JEFF GREENFIELD
Respect your reader. The niftiest turn of phrase, the most elegant flight of rhetorical fancy, isn’t worth beans next to a clear thought clearly expressed.
JEFF GREENFIELD
I think that to write well and convincingly, one must be somewhat poisoned by emotion. Dislike, displeasure, resentment, fault-finding, imagination, passionate remonstrance, a sense of injustice—they all make fine fuel.
EDNA FERBER
There is no language in a screenplay. (For me, dialogue doesn’t count as language.) What passes for language in a screenplay is rudimentary, like the directions for assembling a complicated children’s toy. The only aesthetic is to be clear. Even the act of reading a screenplay is incomplete. A screenplay, as a piece of writing, is merely the scaffolding for a building someone else is going to build. The director is the builder. (When I feel like being a director, I write a novel.)
JOHN IRVING
Stop reading fiction–it's all lies anyway, and it doesn't have anything to tell you that you don't know already (assuming, that is, you've read a great deal of fiction in the past; if you haven't you have no business whatsoever being a writer of fiction).
WILL SELF
In order to write about people, you have got actually to stand back quite a distance. I feel much happier having a one-to-one conversation than being in a room full of people—I feel very shy then, and want to get back into the shadows. The shadows are where I think I belong.
WILLIAM TREVOR
I worked in the Hallmark public relations department for a man named Conrad Knickerbocker, the public relations manager, who had already begun publishing book reviews and fiction. After I got to know Knick a little, I asked him timidly how you become a writer. . . . He said, “Rhodes, you apply ass to chair.” I call that solid gold advice the Knickerbocker Rule.
RICHARD RHODES
You know that sickening feeling of inadequacy and over-exposure you feel when you look upon your own empurpled prose? Relax into the awareness that this ghastly sensation will never, ever leave you, no matter how successful and publicly lauded you become. It is intrinsic to the real business of writing and should be cherished.
WILL SELF
A good stylist should have narcissistic enjoyment as he works. He must be able to objectivize his work to such an extent that he catches himself feeling envious and has to jog his memory to find that he is himself the creator. In short, he must display that highest degree of objectivity which the world calls vanity.
KARL KRAUS
The first thing a writer has to do is find another source of income. Then, after you have begged, borrowed, stolen, or saved up the money to give you time to write and you spend all of it staying alive while you write, and you write your heart out, after all that, maybe no one will publish it, and, if they publish it, maybe no one will read it.
ELLEN GILCHRIST
Don’t leave a word misspelled [in your script]. With spell-check programs on most computers, it is easier to produce perfect, clean scripts. But you still have to read every word carefully. It’s a safe bet that a script will be rejected if it has half a dozen typos or other errors in the first ten pages. If you don’t care enough to make it clean, the rest of us don’t waste time reading it. The same goes for grammar. No excuses here.
TONY BILL
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
Copyright © Jon Winokur 2019-2025. All rights reserved. Website by Wei-Haas Creative.
The trademark AdviceToWriters® is registered in the U.S. Patent and Trademark Office.