The Declarative is at the Bottom of Most Good Writing
/A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.
GARRISON KEILLOR
A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.
GARRISON KEILLOR
You write by sitting down and writing. There’s no particular time or place—you suit yourself, your nature. How one works, assuming he’s disciplined, doesn’t matter.
BERNARD MALAMUD
Altogether, the style of a writer is a faithful representative of his mind; therefore, if any man wish to write a clear style, let him be first clear in his thoughts; and if any man would write in a noble style, let him first possess a noble soul.
JOHANN WOLFGANG VON GOETHE
Respect your reader. The niftiest turn of phrase, the most elegant flight of rhetorical fancy, isn’t worth beans next to a clear thought clearly expressed.
JEFF GREENFIELD
I think that to write well and convincingly, one must be somewhat poisoned by emotion. Dislike, displeasure, resentment, fault-finding, imagination, passionate remonstrance, a sense of injustice—they all make fine fuel.
EDNA FERBER
There is no language in a screenplay. (For me, dialogue doesn’t count as language.) What passes for language in a screenplay is rudimentary, like the directions for assembling a complicated children’s toy. The only aesthetic is to be clear. Even the act of reading a screenplay is incomplete. A screenplay, as a piece of writing, is merely the scaffolding for a building someone else is going to build. The director is the builder. (When I feel like being a director, I write a novel.)
JOHN IRVING
Stop reading fiction–it's all lies anyway, and it doesn't have anything to tell you that you don't know already (assuming, that is, you've read a great deal of fiction in the past; if you haven't you have no business whatsoever being a writer of fiction).
WILL SELF
In order to write about people, you have got actually to stand back quite a distance. I feel much happier having a one-to-one conversation than being in a room full of people—I feel very shy then, and want to get back into the shadows. The shadows are where I think I belong.
WILLIAM TREVOR
I worked in the Hallmark public relations department for a man named Conrad Knickerbocker, the public relations manager, who had already begun publishing book reviews and fiction. After I got to know Knick a little, I asked him timidly how you become a writer. . . . He said, “Rhodes, you apply ass to chair.” I call that solid gold advice the Knickerbocker Rule.
RICHARD RHODES
You know that sickening feeling of inadequacy and over-exposure you feel when you look upon your own empurpled prose? Relax into the awareness that this ghastly sensation will never, ever leave you, no matter how successful and publicly lauded you become. It is intrinsic to the real business of writing and should be cherished.
WILL SELF
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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