Find Your True Subject

Any writer who has difficulty in writing is probably not onto his true subject, but wasting time with false, petty goals; as soon as you connect with your true subject you will write.

JOYCE CAROL OATES

Three Reasons for Becoming A Writer

There are three reasons for becoming a writer: the first is that you need the money; the second, that you have something to say that you think the world should know; the third is that you can’t think of what to do with the long winter evenings.

QUENTIN CRISP

Sometimes the “Block” is a Good Thing

Sometimes the “block” is a good thing. Yes, we’re stalled from the process of producing words, but perhaps we are not ready to write at our best, and an inner voice (the “block”) is telling us that, and holding us back . . . and perhaps doing us a favor until we’re ready to produce what’s truly worthy of us. Too often writers write too much. They do not know the good from their inferior work, and their publishers release whatever the writer hands in if the writer has a “name.” There is no way to lose a “name” faster than to produce again and again unworthy work, and maybe it would be better for their reputations if they’d been “blocked” from doing so much bad writing.

GAY TALESE

Change Things If Somebody Else Is Right

You have the right to not change anything, but don’t be a fool. Change things if somebody else is right. But if you do change something because somebody else is right, you must instantly take credit for it yourself. That’s very important.

EDWARD ALBEE

You Write For Yourself

You do not write a novel for praise, or thinking of your audience. You write for yourself; you work out between you and your pen the things that intrigue you.

BRET EASTON ELLIS

Learn Punctuation

Learn punctuation; it is your little drum set, one of the few tools you have to signal the reader where the beats and emphases go. (If you get it wrong, any least thing, the editor will throw your manuscript out.) Punctuation is not like musical notation; it doesn't indicate the length of pauses, but instead signifies logical relations. There are all sorts of people out there who know these things very well. You have to be among them even to begin.

ANNIE DILLARD

Every Writer Is A Thief

I have myself always been terrified of plagiarism—of being accused of it, that is. Every writer is a thief, though some of us are more clever than others at disguising our robberies. The reason writers are such slow readers is that we are ceaselessly searching for things we can steal and then pass off as our own: a natty bit of syntax, a seamless transition, a metaphor that jumps to its target like an arrow shot from an aluminum crossbow.

JOSEPH EPSTEIN

Artists Are Spies

Most of us live in a condition of secrecy: secret desires, secret appetites, secret hatreds and relationship with the institutions which is extremely intense and uncomfortable. These are, to me, a part of the ordinary human condition. So I don't think I'm writing about abnormal things.... Artists, in my experience, have very little center. They fake. They are not the real thing. They are spies. I am no exception.

JOHN LE CARRÉ

Never Get Too Fancy

Ben Hecht received this advice from a newspaper editor: “When you write never get too fancy. Never put one foot on the mantelpiece, and be sure your style is so honest that you can put the word shit in any sentence without fear of consequence.”

Try To Summarize Your Novel in a Sentence or Two

I sometimes suggest to inexperienced writers that they try to summarize their novels in progress in a sentence or two. It’s a useful though limited way of finding out whether a book has a coherent theme, a theme that’s likely to attract readers. “One day in the life of a humble prisoner in Stalin’s gulag,” or “one day in the life of a middle-aged mediocre Dublin Jew, explored as an odyssey,” would convince most literate people that there was, at least, a worthy and intelligible subject.

D.M. THOMAS