Dialogue Is Easier Than Plot

It is much easier to write great dialogue (which is a talent and not really very much of an exertion) than to write great plots. So we playwrights do the next best thing to writing great plots: we write bad plots. And then we fill up the empty spaces with verbiage.

DAVID MAMET

Writing Fiction is Solitary but Not Lonely

Writing fiction is a solitary occupation but not really a lonely one. The writer's head is mobbed with characters, images and language, making the creative process something like eavesdropping at a party for which you've had the fun of drawing up the guest list. Loneliness usually doesn't set in until the work is finished, and all the partygoers and their imagined universe have disappeared.

HILMA WOLITZER

Keep A Diary

Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end—as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.

JOHN BERENDT

The Writer is the Most Vocal and Inventive Griper on Earth

Next to the defeated politician, the writer is the most vocal and inventive griper on earth. He sees hardship and unfairness wherever he looks. His agent doesn’t love him (enough). The blank sheet of paper is an enemy. The publisher is a cheapskate. The critic is a philistine. The public doesn’t understand him. His wife doesn’t understand him. The bartender doesn’t understand him.

PETER MAYLE

The Important Virtue for a Writer is Self-Forgiveness

As for discipline—it's important, but sort of overrated. The more important virtue for a writer, I believe, is self-forgiveness. Because your writing will always disappoint you. Your laziness will always disappoint you.

ELIZABETH GILBERT

A Film Writer Is Like A Party Girl

A film writer is very much like a party girl. While you're good-looking and still unlined, the possibilities seem endless. But your appeal doesn't last long and you're quickly discarded.

JAMES SALTER

I Want the Reader to Turn the Page

I want the reader to turn the page and keep on turning to the end. This is accomplished only when the narrative moves steadily ahead, not when it comes to a weary standstill, overloaded with every item uncovered in the research.

BARABARA W. TUCHMAN

Some Books Refuse to be Written

There are some books that refuse to be written. They stand their ground year after year and will not be persuaded. It isn't because the book is not there and worth being written—it is only because the right form of the story does not present itself. There is only one right form for a story and if you fail to find that form the story will not tell itself.

MARK TWAIN

What the Public Wants, No One Knows

Though our publishers will tell you that they are ever seeking “original” writers, nothing could be farther from the truth. What they want is more of the same, only thinly disguised. They most certainly do not want another Faulkner, another Melville, another Thoreau, another Whitman. What the public wants, no one knows. Not even the publishers.

HENRY MILLER

Writing Is Not Hard

Writing is not hard. Just get paper and pencil, sit down, and write as it occurs to you. The writing is easy—it's the occurring that's hard.

STEPHEN LEACOCK