The Writer Must Be A Psychologist
/The writer must be a psychologist, but a secret one; he must sense and know the roots of phenomena, but offer only the phenomena themselves as they blossom or wither.
IVAN TURGENEV
The writer must be a psychologist, but a secret one; he must sense and know the roots of phenomena, but offer only the phenomena themselves as they blossom or wither.
IVAN TURGENEV
A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well, they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.
URSULA LE GUIN
You’re a boxer. Your job is to get punched in the face and keep swinging. It’s easy for anybody to say, “I wrote five scripts. None of them sold. I gave it my best shot. I’m moving back to Chicago.” You can’t do that. If you want a career in Hollywood, you can’t fail. You can quit, which most people do when they don’t achieve success as quickly as they’d like, but you can’t fail. There are as many opportunities as you can create for yourself. You can write a script a day, every day, for your whole life, if you’re that motivated.
ADAM RIFKIN
One of the vital things for a writer who’s writing a book, which is a lengthy project and is going to take about a year, is how to keep the momentum going. It is the same with a young person writing an essay. They have got to write four or five or six pages. But when you are writing it for a year, you go away and you have to come back. I never come back to a blank page; I always finish about halfway through. To be confronted with a blank page is not very nice. But Hemingway, a great American writer, taught me the finest trick when you are doing a long book, which is, he simply said in his own words, “When you are going good, stop writing.” And that means that if everything’s going well and you know exactly where the end of the chapter’s going to go and you know just what the people are going to do, you don’t go on writing and writing until you come to the end of it, because when you do, then you say, well, where am I going to go next? And you get up and you walk away and you don’t want to come back because you don’t know where you want to go. But if you stop when you are going good, as Hemingway said…then you know what you are going to say next. You make yourself stop, put your pencil down and everything, and you walk away. And you can’t wait to get back because you know what you want to say next and that’s lovely and you have to try and do that. Every time, every day all the way through the year. If you stop when you are stuck, then you are in trouble!
ROALD DAHL
The novel was forbidden in the Spanish colonies by the Inquisition. The inquisitors considered this literary genre, the novel, to be as dangerous for the spiritual faith of the Indians as for the moral and political behavior of society and, of course, they were absolutely right. We novelists must be grateful to the Spanish Inquisition for having discovered before any critic did the inevitable subversive nature of fiction. The prohibition included reading and publishing novels in the colonies. There was no way naturally to avoid a great number of novels being smuggled into our countries; and we know, for example, that the first copies of Don Quixote entered America hidden in barrels of wine. We can only dream with envy about what kind of experience it was in those times in Spanish America to read a novel—a sinful adventure in which in order to abandon yourself to an imaginary world you had to be prepared to face prison and humiliation.
MARIO VARGAS LLOSA
Writing gives you the illusion of control, and then you realize it’s just an illusion, that people are going to bring their own stuff into it.
DAVID SEDARIS
Trust your reader. Not everything needs to be explained. If you really know something, and breathe life into it, they'll know it too.
ESTHER FREUD
Respect your characters, even the minor ones. In art, as in life, everyone is the hero of their own particular story; it is worth thinking about what your minor characters' stories are, even though they may intersect only slightly with your protagonist's.
SARAH WATERS
Prefer the familiar word to the far-fetched. Prefer the concrete word to the abstract. Prefer the single word to the circumlocution. Prefer the short word to the long. Prefer the Saxon word to the Romance.
HENRY WATSON FOWLER
Work inspires inspiration. Keep working. If you succeed, keep working. If you fail, keep working. If you’re interested, keep working. If you’re bored, keep working.
MICHAEL CRICHTON
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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