Be A Sublime Fool

To sum it all up, if you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling.

You must write every single day of your life.

You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next.

You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads.

I wish for you a wrestling match with your Creative Muse that will last a lifetime.

I wish craziness and foolishness and madness upon you.

May you live with hysteria, and out of it make fine stories—science fiction or otherwise.

Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.

RAY BRADBURY

Do What Works

There are so many different kinds of writing and so many ways to work that the only rule is this: do what works. Almost everything has been tried and found to succeed for somebody. The methods, even the ideas, of successful writers contradict each other in a most heartening way, and the only element I find common to all successful writers is persistence—an overwhelming determination to succeed.

SOPHY BURNHAM

Never Tell Your Reader What Your Story is About

Never tell your reader what your story is about. Reading is a participatory sport. People do it because they are intelligent and enjoy figuring things out for themselves.

GEORGE V. HIGGINS

Spend Some Time Living Before You Start Writing

Spend some time living before you start writing. What I find to be very bad advice is the snappy little sentence, “Write what you know.” It is the most tiresome and stupid advice that could possibly be given. If we write simply about what we know we never grow. We don't develop any facility for languages, or an interest in others, or a desire to travel and explore and face experience head-on. We just coil tighter and tighter into our boring little selves. What one should write about is what interests one.

ANNIE PROULX

Failure is Part of It

Failure is part of it. You will be rejected dozens and dozens of times. The best way to prepare for it is to have something else in the works by the time the rejection letter arrives. Invest your hope in the next project. Learning to cope with rejection is a good trait to develop.

PO BRONSON

Anyone Can Have A Prose Style

Anyone who puts pen to paper can have a prose style. In almost every case, that style will be quiet, sometimes so quiet as to be detectable only by you, the writer. In the quiet, you can listen to your sound in various manifestations; then you can start to shape it and develop it. That project can last as long as you keep writing, and it never gets old.

BEN YAGODA

In Defense of the Adjective

I beg the privilege of demurring for a few moments against a high-flown disdain for the adjective. We’ve been cautioned by such proven masters as Ernest Hemingway, Clifton Fadiman and Mark Twain, to avoid the adjective as though it were a contagious disease. Here’s Fadiman:

“The adjective is the banana peel of the parts of speech.”

Mark Twain: “As to the adjective, when in doubt, strike it out.”

Hemingway: “If an adjective happens, kill it.”

All of which seems to me a bum rap against the language enjoyed worldwide by people who use a homely but sturdy adjective every day, billions of us: “good morning, good afternoon, good evening, good night" in all the languages of our polyglot world; and, by way of reinforcement, most of us rely on convenient adjectives such as “passable, great, terrific” or “lousy.” Not to speak of the bonhomie generated worldwide around Christmas; and by the pleasant modifier in happy New Year.

NORMAN CORWIN

A Good Novel Can Be A Doorstop to Despair

I think a good novel can be a doorstop to despair. I also think the real bravery comes with those who prepared to go through that door and look at the world in all its grime and torment, and still find something of value, no matter how small.

COLUM McCANN

Writing is Linear and Sequential

Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn’t the writing; it’s the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?”

WILLIAM ZINSSER

On Dialogue

Read almost any newspaper interview, and you’ll conclude that the dialogue of real people is more stilted and implausible than the dialogue of invented characters. Trying to make real people sound real on the page is necessarily an exercise in impressionism. Nothing teaches one the subtleties of punctuation so well as an attempt to take a skein of actual speech and restore to it the pauses, ellipses, switches of tone and speed, that it had in life.

JONATHAN RABAN