If you are going to learn from other writers don’t only read the great ones, because if you do that you’ll get so filled with despair and the fear that you’ll never be able to do anywhere near as well as they did that you’ll stop writing. I recommend that you read a lot of bad stuff, too. It’s very encouraging. “Hey, I can do so much better than this.” Read the greatest stuff but read the stuff that isn’t so great, too. Great stuff is very discouraging.
EDWARD ALBEE
I don't think it's a good idea for writers to think too much about the publishing world. I sense in a good many books, even in books by the best writers, an anxiety about how it will do in the marketplace. You can feel it on the page, a sort of sweat of calculation.
ELIZABETH HARDWICK
Try to make them tell you what they really want. Most often they recognize what they don’t want, but have a much harder time explaining what it is you’re supposed to give them. Make them tell!
MAUREEN ORTH
In a longish life as a professional writer, I have heard a thousand masterpieces talked out over bars, restaurant tables and love seats. I have never seen one of them in print. Books must be written, not talked.
MORRIS L. WEST
It is the deepest desire of every writer, the one we never admit or even dare to speak of: to write a book we can leave as a legacy. And although it is sometimes easy to forget, wanting to be a writer is not about reviews or advances or how many copies are printed or sold. It is much simpler than that, and much more passionate. If you do it right, and if they publish it, you may actually leave something behind that can last forever.
ALICE HOFFMAN
A good style comes primarily from lack of pretentiousness, and what is pretentious changes from year to year from day to day from minute to minute. We must be ever more careful. A man does not get old because he nears death; a man gets old because he can no longer see the false from the good.
CHARLES BUKOWSKI
Life goes on, and for the sake of verisimilitude and realism, you cannot possibly give the impression of an ending: you must let something hang. A cheap interpretation of that would be to say that you must always leave a chance for a sequel. People die, love dies, but life does not die, and so long as people live, stories must have life at the end.
JOHN O’HARA
First, you get the idea. It may germinate for a long time or it just pops into your head. And then you work out a structure. And when you feel confident enough, you start to write. And you have to allow yourself the liberty of writing poorly. You have to get the bulk of it done, and then you start to refine it. You have to put down less than marvelous material just to keep going to whatever you think the end is going to be—which may be something else altogether by the time you get there.
LARRY GELBART
I have never liked to suggest that writing is grinding, let alone brave work. H. L. Mencken used to say that any scribbler who found writing too arduous ought to take a week off to work on an assembly line, where he will discover what work is really like. The old boy, as they say, got that right. To be able to sit home and put words together in what one hopes are charming or otherwise striking sentences is, no matter how much tussle may be involved, lucky work, a privileged job. The only true grit connected with it ought to arrive when, thinking to complain about how hard it is to write, one is smart enough to shut up and silently grit one’s teeth.
JOSEPH EPSTEIN
I suppose that there are endeavors in which self-confidence is even more important than it is in writing—tightrope walking comes immediately to mind—but it’s difficult for me to think of anybody producing much writing if his confidence is completely shot.
CALVIN TRILLIN
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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