Crass Stupidities Shall Not Be Played Upon the Reader

Crass stupidities shall not be played upon the reader . . . by either the author or the people in the tale.

The personages of a tale shall confine themselves to possibilities and let miracles alone; or, if they venture a miracle, the author must so plausibly set it forth as to make it look possible and reasonable.

The author shall make the reader feel a deep interest in the personages of his tale and in their fate.

MARK TWAIN

Write What You Wish to Write

So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say. But to sacrifice a hair of the head of your vision, a shade of its color, in deference to some Headmaster with a silver pot in his hand or to some professor with a measuring-rod up his sleeve, is the most abject treachery.

VIRGINIA WOOLF

Creativity is Paradoxical

Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard them.

MICHAEL MICHALKO

Your Senses Must Be Razor-Sharp

In order to write at a high level of competence you need a comprehensive vocabulary, a keen sense of overall structure, and an inner beat or cadence. Your senses must be razor-sharp. Alcohol blunts those senses even as it releases self-restraint. Therefore many writers feel they are getting down to the real story after a belt or two, little realizing they are damaging their ability to tell the real story.

RITA MAE BROWN

The Truth Is We Write for Love

Despite all the cynical things writers have said about writing for money, the truth is we write for love. That is why it is so easy to exploit us. That is also why we pretend to be hard-boiled, saying things like “No man but a blockhead ever wrote except for money” (Samuel Johnson). Not true. No one but a blockhead ever wrote except for love. . . . You must do it for love. If you do it for money, no money will ever be enough, and eventually you will start imitating your first successes, straining hot water through the same old teabag. It doesn’t work with tea, and it doesn’t work with writing.

ERICA JONG