You Have to Have Trouble

It’s very hard to write about that which is always beautiful and pleasant and good. You don’t get anywhere with it. There’s no friction in it. There’s no trouble. You have to have trouble. Somebody’s got to get in trouble, or no one wants to read it.

PAUL BOWLES

Force Yourself to Write Non-Stop

[If you have writer's block] force yourself to write non-stop for twenty or thirty minutes: no deletions, no erasures, no pauses. If that doesn't work, take a break. Take a walk. Pack up your writing supplies and go someplace new. Sit in a coffee shop, find a cozy spot in a library, go to a park. If you're truly desperate, go away for a few days. Take a train to a distant city and write onboard (on Amtrak, you can actually plug in your computer. But coffee is essential: without it, the train will rock you to sleep.) It often helps to do something entirely nonverbal, like making a collage or playing music. And it always helps to understand that writer's block is a widespread malady. To strengthen your feeling of solidarity with the scribbling classes, watch these movies: The Shining, Misery, Barton Fink, Deconstructing Harry, all of which explore the consequences of writer's block.

NANCY HATHAWAY

A Novel Is Like A Car

It is perfectly legitimate to write novels which are essentially prose poems, but in the end, I think, a novel is like a car, and if you buy a car and grow flowers in it, you're forgetting that the car is designed to take you somewhere else.

ROBERT HARRIS

Our Friend, the Semicolon

Sometimes you get a glimpse of a semicolon coming, a few lines farther on, and it is like climbing a steep path through woods and seeing a wooden bench just at a bend in the road ahead, a place where you can expect to sit for a moment, catching your breath.

LEWIS THOMAS

You Expect Far Too Much of a First Sentence

You expect far too much of a first sentence. Think of it as analogous to a good country breakfast: what we want is something simple, but nourishing to the imagination. Hold the philosophy, hold the adjectives, just give us a plain subject and verb and perhaps a wholesome, nonfattening adverb or two.

LARRY McMURTRY

Don't Panic

Don't panic. Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends' embarrassment, the failing career, the dwindling income, the repossessed house, the divorce . . . Working doggedly on through crises like these, however, has always got me there in the end. Leaving the desk for a while can help. Talking the problem through can help me recall what I was trying to achieve before I got stuck. Going for a long walk almost always gets me thinking about my manuscript in a slightly new way. And if all else fails, there's prayer. St. Francis de Sales, the patron saint of writers, has often helped me out in a crisis. If you want to spread your net more widely, you could try appealing to Calliope, the muse of epic poetry, too.

SARAH WATERS

A Book Must Be the Axe for the Frozen Sea Inside Us

We need the books that affect us like disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us.

FRANZ KAFKA

Writers Aren't People Exactly

Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying–only to see their faces in the reflecting chandeliers.

F. SCOTT FITZGERALD

Writing a Novel is Like Working on Foreign Policy

If you’re not lying awake at night worrying about your novel, the reader isn’t going to, either. I always know that when I get a good night’s sleep, the next day I’m not going to get any work done. Writing a novel is like working on foreign policy. There are problems to be solved. It’s not all inspirational.

JAMES M. CAIN

Style is Character

A really good style comes only when a man has become as good as he can be. Style is character. A good style cannot come from a bad, undisciplined character. . . . I think good style is a matter of rendering out of oneself all the cupidities, all the cripplings, all velleities. And then I think one has to develop one's physical grace.

NORMAN MAILER