Good Writing Is Lean and Confident

Don’t say you were a bit confused and sort of tired and a little depressed and somewhat annoyed. Be tired. Be confused. Be depressed. Be annoyed. Don’t hedge your prose with little timidities. Good writing is lean and confident.

WILLIAM ZINSSER

Use Everything

You can't write well with only the nice parts of your character, and only about nice things. And I don't want even to try anymore. I want to use everything, including hate and envy and lust and fear.

ALISON LURIE

There It is Round You

There it is round you. Don't pass it by—the immediate, the real, the only, the yours, the novelist's that it waits for. Take hold of it and keep hold, and let it pull you where it will.

HENRY JAMES

Forget the Mumbo Jumbo and Just Write the Damn Script

Get a hold of three or four terrific original scripts. You decide which ones. Read them; analyze them if you want, or just let them wash over you. Notice their format: it’s standard in the industry, no exceptions. Then throw away or erase from memory all the books, articles, and lessons that reference or espouse three-act structures, five- and seven-act structures, “inciting events,” “character arcs,” “redemption,” Joseph Campbell’s name, plot graphs and charts, or supposed “tricks of the trade.” Forget the mumbo jumbo and just write the damn script and finish it in 120 pages or less. If you’re sufficiently talented, original, and inspired, nothing else is necessary. If you’re not, nothing else will help. If it turns out that you lack one or all of those elements, write another script. Maybe another. Give up when you can’t take it anymore. The time saved by not reading all those how-to books should be enough to carry you through the first several scripts at least, with time to spare. Sound cruel? Ask any screenwriter.

TONY BILL

Writing Is Like a Contact Sport

Writing is like a contact sport, like football. Why do kids play football? They can get hurt on any play, can’t they? Yet they can’t wait until Saturday comes around so they can play on the high-school team, or the college team, and get smashed around. Writing is like that. You can get hurt, but you enjoy it.

IRWIN SHAW

Structure is the Key to Narrative

Structure is the key to narrative. These are the crucial questions any storyteller must answer: Where does it begin? Where does the beginning start to end and the middle begin? Where does the middle start to end and the end begin?

NORA EPHRON

You Are Your Own Editor

[Writers] ask me, “Is it good to shoot my manuscript to other people to get their advice?” My answer is, “No!” You are in it for the duration – don’t expect any kind of lowering of the terms of imprisonment that you’re going to have. You are your own editor, and so it’s yours.

CHINUA ACHEBE

The Audience Will Not Tune In to Watch Information

The audience will not tune in to watch information. You wouldn’t, I wouldn’t. No one would or will. The audience will only tune in and stay tuned in to watch drama.

DAVID MAMET

Always Carry A Notebook

Always carry a notebook. And I mean always. The short-term memory only retains information for three minutes; unless it is committed to paper you can lose an idea forever.

WILL SELF

Whom Are You Writing For?

It comes back to the question, whom are you writing for? Who are the readers you want? Who are the people you want to engage with the things that matter most to you? And for me, it's people who don't need it all spelled out because they know it, they understand it. That's why there's so much I can't read because I get so exasperated. Someone starts describing the character boarding the plane and pulling the seat back. And I just want to say, Babe, I have been downtown. I have been up in a plane. Give me some credit.

AMY HEMPEL