Character and Action

“Character is Fate,” said Heraclitus in 500 B.C. or thereabouts. But “Our characters are the result of our conduct,” added Aristotle a hundred years or so later. We will find character and action even more inseparably entwined in fiction than they appear to be in life.

RUST HILLS

Thou Shalt Remain Solvent

One of the basic commandments that a freelancer must obey is, Thou Shalt Remain Solvent. This commandment does not preclude getting into debt, but it does preclude a state of insolvency that destroys the freelancer’s ability to function. A writer is no better on a given day than his state of mind permits him to be, and if he allows himself to reach a point where, like an athlete in a slump who isn’t producing, he starts to press and even question his ability, then he falls victim to his insolvency. And the awful consequence of this insolvency is that he must get a paying job, God forbid, and turn in his free-lance medallion.

A.E. HOTCHNER

Learn Punctuation

Learn punctuation; it is your little drum set, one of the few tools you have to signal the reader where the beats and emphases go. (If you get it wrong, any least thing, the editor will throw your manuscript out.) Punctuation is not like musical notation; it doesn't indicate the length of pauses, but instead signifies logical relations. There are all sorts of people out there who know these things very well. You have to be among them even to begin.

ANNIE DILLARD

The Arrangement of Words Matters

Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know of grammar is its infinite power. To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object being photographed. Many people know about camera angles now, but not so many know about sentences. The arrangement of words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive. The picture tells you how to arrange words and the arrangement of the words tells you, or tells me, what’s going on in the picture. Nota bene.*
It tells you.
You don’t tell it.

JOAN DIDION

*"Note well."

Writers Read

Just as composers go to concerts and artists visit galleries, writers read. You will learn, in the most enjoyable way, more about style and language from reading good literature than you will ever acquire from workshops and how-to books.

JUDITH BARRINGTON

Writing Is A Dangerous Undertaking

It is not enough merely to love literature, if one wishes to spend one’s life as a writer. It is a dangerous undertaking on the most primitive level. For, it seems to me, the act of writing with serious intent involves enormous personal risk. It entails the ongoing courage for self-discovery. It means one will walk forever on the tightrope, with each new step presenting the possibility of learning a truth about oneself that is too terrible to bear.

HARLAN ELLISON