College Probably Won’t Hurt You

I don't think a college degree is necessary to become a good writer, I'm not even certain it's an advantage. College probably won’t hurt you—if you don't take it too seriously. But far more important, I believe, is broad general experience: living as active a life as possible, meeting all ranks of people, plenty of travel, trying your hand at various kinds of work, keeping your eyes, ears, and mind open, remembering what you observe, reading plenty of good books, and writing every day—simply writing.

EDWARD ABBEY

Any Fiction Should Be A Story

Any fiction should be a story. In any story there are three elements: persons, a situation, and the fact that in the end something has changed. If nothing has changed, it isn’t a story.

MALCOLM COWLEY

The Secret of Short-Story Writing

I'll give you the sole secret of short-story writing, and here it is: Rule 1. Write stories that please yourself. There is no rule 2. The technical points you can get from Bliss Perry. If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.

O. HENRY

Most Humor Depends on Specificity

Most humor depends on specificity. It’s funnier to say that a cheese steak tastes better when you’re leaning up against a Pontiac than when you are leaning up against a car.

CALVIN TRILLIN

The Best Moments Involve a Loss of Control

First you look for discipline and control. You want to exercise your will, bend the language your way, bend the world your way. You want to control the flow of impulses, images, words, faces, ideas. But there’s a higher place, a secret aspiration. You want to let go. You want to lose yourself in language, become a carrier or messenger. The best moments involve a loss of control. It’s a kind of rapture, and it can happen with words and phrases fairly often—completely surprising combinations that make a higher kind of sense, that come to you out of nowhere. But rarely for extended periods, for paragraphs and pages—I think poets must have more access to this state than novelists do.

DON DeLILLO

Go On When You Don’t Feel Like It

Sometimes you have to go on when you don’t feel like it, and sometimes you’re doing good work when it feels like all you’re managing to do is shovel shit from a sitting position.

STEPHEN KING

A Writer’s Work is the Product of Laziness

A writer’s work is the product of laziness, you see. A writer’s work essentially consists of taking his mind off things, of thinking about something else, of daydreaming, of not being in any hurry to go to sleep but to imagine something.

And then comes the actual writing, and that’s his trade. That is, I don’t think the two things are incompatible. Besides, I think that when one is writing something that’s more or less good, one doesn’t feel it to be a chore; one feels it to be a form of amusement. A form of amusement that doesn’t exclude the use of intelligence, just as chess doesn’t exclude it, and chess is a game I’m very fond of and would like to know how to play — I’ve always been a poor chess player.

JORGE LUIS BORGES

Put Your Notes Away

Put your notes away before you begin a draft. What you remember is probably what should be remembered; what you forget is probably what should be forgotten. No matter; you’ll have a chance to go back to your notes after the draft is completed. What is important is to achieve a draft which allows the writing to flow.

DONALD M. MURRAY

We're All Thieves

The young people ask me about becoming a writer, and they really haven’t read, not even read bad stuff. They haven’t experienced reading as happiness, as it were. So without some knowledge of what other writers have done, it’s very hard to find your own way, I think. We’re all thieves, I suppose.

JOHN UPDIKE

It's Like Boiling Down

It’s like boiling down. Four pages can go through six, eight, ten drafts to get down. The beginning is always rewritten much more than the rest, because it’s the setting up of information as well as the telling of the story—that’s always much harder to juggle.

SUSAN MINOT