A Good Plot Is Like a Dream

To me, the most important and difficult thing about writing fiction is to find the plot. Good original plots are hard to come by. You never know when a lovely idea is going to flit suddenly into your mind, but by golly, when it does come along, you grab it with both hands and hold onto to it tight. The trick is to write it down at once, otherwise you'll forget it. A good plot is like a dream. If you don't write down your dream on paper the moment you wake up, the chances are you'll forget it, and it’ll be gone forever.

ROALD DAHL

You Fail Only If You Stop Writing

If you write a hundred short stories and they’re all bad, that doesn’t mean you’ve failed. You fail only if you stop writing. I’ve written about 2,000 short stories; I’ve only published about 300 and I feel I’m still learning. Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he’ll eventually make some kind of career for himself as a writer.

RAY BRADBURY (1967)

College Probably Won’t Hurt You

I don't think a college degree is necessary to become a good writer, I'm not even certain it's an advantage. College probably won’t hurt you—if you don't take it too seriously. But far more important, I believe, is broad general experience: living as active a life as possible, meeting all ranks of people, plenty of travel, trying your hand at various kinds of work, keeping your eyes, ears, and mind open, remembering what you observe, reading plenty of good books, and writing every day—simply writing.

EDWARD ABBEY

The Best Moments Involve a Loss of Control

First you look for discipline and control. You want to exercise your will, bend the language your way, bend the world your way. You want to control the flow of impulses, images, words, faces, ideas. But there’s a higher place, a secret aspiration. You want to let go. You want to lose yourself in language, become a carrier or messenger. The best moments involve a loss of control. It’s a kind of rapture, and it can happen with words and phrases fairly often—completely surprising combinations that make a higher kind of sense, that come to you out of nowhere. But rarely for extended periods, for paragraphs and pages—I think poets must have more access to this state than novelists do.

DON DeLILLO