Find Your Optimum Hours for Writing

My most important discovery has been that I have optimum hours for writing. These are between 10:00 a.m. and 2:00 p.m. For a lifetime I’ve told myself that I was a nighttime writer—it seemed romantic. But actually I’m tired at night, and that’s when I prefer to read and research. Whatever your optimum hours are, don’t cheat yourself of them. This is a daily battle. If you spend them answering the phone, attending to correspondence, etc., you’ll find yourself empty-handed and out of sorts during your low tide.

AMY WALLACE

Never Look at a Reference Book While Doing a First Draft

Never look at a reference book while doing a first draft. You want to write a story? Fine. Put away your dictionary, your encyclopedias, your World Almanac, and your thesaurus. Better yet, throw your thesaurus into the wastebasket. The only things creepier than a thesaurus are those little paperbacks college students too lazy to read the assigned novels buy around exam time. Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule. You think you might have misspelled a word? O.K., so here is your choice: either look it up in the dictionary, thereby making sure you have it right - and breaking your train of thought and the writer's trance in the bargain - or just spell it phonetically and correct it later. Why not? Did you think it was going to go somewhere? And if you need to know the largest city in Brazil and you find you don't have it in your head, why not write in Miami, or Cleveland? You can check it ... but later. When you sit down to write, write. Don't do anything else except go to the bathroom, and only do that if it absolutely cannot be put off.

STEPHEN KING

The Delete Key Is a Boon

The delete key is a boon to any writer who hates a cluttered page, although it makes the word processor the least eternal of all writing instruments. Cross-outs are usually consigned to oblivion. (I prefer to move the rejected phrases to the bottom of the screen, where they are continuously pushed ahead of the text-in-progress like an ever-burgeoning mound of snow before a plow.)

ANNE FADIMAN