Stuff Yourself Full

If you stuff yourself full of poems, essays, plays, stories, novels, films, comic strips, magazines, music, you automatically explode every morning like Old Faithful. I have never had a dry spell in my life, mainly because I feed myself well, to the point of bursting. I wake early and hear my morning voices leaping around in my head like jumping beans. I get out of bed to trap them before they escape.

RAY BRADBURY

Good Writing Is All Handmade

Good writing is all handmade. It’s made of words. Looking up words as you write is a vital step in research. A word choice isn’t apt merely because a word’s formal definition seems to fit. Words are layered with meaning, and the layers need to fit as well. If you write “the final solution to our problem” unaware that “final solution” translates the Nazi euphemism for the Holocaust, die Endlösung; if you write “a supercilious handshake” unaware that “supercilious” derives from Latin words meaning “above the eyelid” (i.e., with a lifted eyebrow), you communicate more and less to your reader than you intend. Sloppy word choice isn’t only a literary sin; it’s confusing. If you choose words with their multileveled meanings in mind, your reader will have a better chance of understanding what you mean—and so will you.

RICHARD RHODES

The Story Has to Be There

A book won't stand or fall on the very first line of prose -- the story has got to be there, and that's the real work. And yet a really good first line can do so much to establish that crucial sense of voice -- it's the first thing that acquaints you, that makes you eager, that starts to enlist you for the long haul. So there's incredible power in it, when you say, come in here. You want to know about this. And someone begins to listen.

STEPHEN KING

When Your Villain Becomes a Bore

Whenever your villain becomes a bore, whatever you’re writing—play, film, whatever—wrap it up, abandon ship. Conversely, first-rate villains very often, by the mere reflection of the infinitely greater attractiveness and scope that villainy has over virtue, will endow the most numbing of dullard heroes and heroines with an appeal they couldn’t possibly attain on their own. From Mephistopheles to Rupert of Hentzau. It’s my guess Will Shakespeare found Iago a breeze to write compared to Othello; and that he sweated more over Brutus than Cassius.

JOSEPH L. MANKIEWICZ