Style is Character

A really good style comes only when a man has become as good as he can be. Style is character. A good style cannot come from a bad, undisciplined character. . . . I think good style is a matter of rendering out of oneself all the cupidities, all the cripplings, all velleities. And then I think one has to develop one's physical grace.

NORMAN MAILER

Don't Write in Public Places

Don't write in public places. In the early 1990s I went to live in Paris. The usual writerly reasons: back then, if you were caught writing in a pub in England, you could get your head kicked in, whereas in Paris, dans les cafés . . . . Since then I've developed an aversion to writing in public. I now think it should be done only in private, like any other lavatorial activity.

GEOFF DYER

Use Plain, Simple Language

I notice that you use plain, simple language, short words and brief sentences. That is the way to write English—it is the modern way and the best way. Stick to it; don't let fluff and flowers and verbosity creep in. When you catch an adjective, kill it. No, I don't mean utterly, but kill most of them—then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart. An adjective habit, or a wordy, diffuse, flowery habit, once fastened upon a person, is as hard to get rid of as any other vice.

MARK TWAIN

Chekhov's Razor

Anton Chekhov gave some advice about revising a story: first, he said, throw out the first three pages. As a young writer I figured that if anybody knew about short stories, it was Chekhov, so I tried taking his advice. I really hoped he was wrong, but of course he was right. It depends on the length of the story, naturally; if it's very short, you can only throw out the first three paragraphs. But there are few first drafts to which Chekhov's Razor doesn't apply. Starting a story, we all tend to circle around, explain a lot of stuff, set things up that don't need to be set up. Then we find our way and get going, and the story begins…very often just about on page three.

URSULA LeGUIN