A Writer's Brain

A writer’s brain is full of little gifts, like a piñata at a birthday party. It’s also full of demons, like a piñata at a birthday party in a mental hospital. The truth is, it’s demons that keep a tortured writer’s spirit alive, not Tootsie Rolls. Sure they’ll give you a tiny burst of energy, but they won’t do squat for your writing. So treat your demons with the respect they deserve, and with enough prescriptions to keep you wearing pants.

COLIN NISSAN

Creative Incubation

You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.

JOSEPH CAMPBELL

Move On

One of the great writer’s myths is the one about papering the walls with rejection slips. There are stories of proposals and manuscripts that were rejected twenty-five or thirty times and went on to become published books and even, in rare case, bestsellers. But these stories are so exceptional that when they do happen they immediately become part of publishing lore.

Part of playing the publisher’s game is knowing when you have lost. If you have been flatly rejected by ten well-chosen editors then you will almost certainly be turned down by the next hundred. It would be far better to spend your time rethinking your idea, reworking your proposal, or maybe even abandoning that particular idea and moving on to something else.

JOHN BOSWELL

Diana Athill’s 3 Rules for Fiction

1. Read it aloud to yourself because that's the only way to be sure the rhythms of the sentences are OK (prose rhythms are too complex and subtle to be thought out – they can be got right only by ear).

2. Cut (perhaps that should be CUT): only by having no inessential words can every essential word be made to count.

3. You don't always have to go so far as to murder your darlings – those turns of phrase or images of which you felt extra proud when they appeared on the page – but go back and look at them with a very beady eye. Almost always it turns out that they'd be better dead. (Not every little twinge of satisfaction is suspect – it's the ones which amount to a sort of smug glee you must watch out for.)

Don't Quit

Don’t quit. It’s very easy to quit during the first 10 years. Nobody cares whether you write or not, and it’s very hard to write when nobody cares one way or the other. You can’t get fired if you don’t write, and most of the time you don’t get rewarded if you do. But don’t quit.

ANDRE DUBUS

Finish Your First Draft

The best advice on writing was given to me by my first editor, Michael Korda, of Simon and Schuster, while writing my first book. "Finish your first draft and then we'll talk," he said. It took me a long time to realize how good the advice was. Even if you write it wrong, write and finish your first draft. Only then, when you have a flawed whole, do you know what you have to fix.

DOMINICK DUNNE