The Poetic Voice is Difficult to Translate

Exile and political upheaval have intervened with the lives of great writers and confronted them with the reality that they might have to express themselves in a language other than their mother tongue. The poetic voice is difficult to translate or even impossible, so your poems will be better in the language you developed poetically. Prose you could probably write at the same level in both languages. I am a writer with a Caribbean Spanish linguistic soul that uses the English language, appropriates the English and submits it to my flavors and my longings.

VICTOR HERNÁNDEZ CRUZ

The Great Enemy of Clear Language is Insincerity

A mass of Latin words falls upon the facts like soft snow, blurring the outline and covering up all the details. The great enemy of clear language is insincerity. When there is a gap between one's real and one's declared aims, one turns as it were instinctively to long words and exhausted idioms, like a cuttlefish spurting out ink. In our age there is no such thing as "keeping out of politics." All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred, and schizophrenia. When the general atmosphere is bad, language must suffer.

GEORGE ORWELL

Punctuation Ought to be as Conventional as Possible

My attitude toward punctuation is that it ought to be as conventional as possible. The game of golf would lose a good deal if croquet mallets and billiard cues were allowed on the putting green. You ought to be able to show that you can do it a good deal better than anyone else with the regular tools before you have a license to bring in your own improvements.

ERNEST HEMINGWAY

All Prose Responds to Work

That you can learn to write better is one of our fundamental assumptions. No sensible person would deny the mystery of talent, or for that matter the mystery of inspiration. But if it is vain to deny these mysteries, it is useless to depend on them. No other art form is so infinitely mutable. Writing is revision. All prose responds to work.

TRACY KIDDER