Good Writers Have Two Things In Common
/Good writers have two things in common: they would rather be understood than admired, and they do not write for hairsplitting and hypercritical readers.
FRIEDRICH NIETZSCHE
Good writers have two things in common: they would rather be understood than admired, and they do not write for hairsplitting and hypercritical readers.
FRIEDRICH NIETZSCHE
All writing problems are psychological problems. Blocks usually stem from the fear of being judged. If you imagine the world listening, you’ll never write a line. That’s why privacy is so important. You should write first drafts as if they will never be shown to anyone.
ERICA JONG
Don’t think of literary form. Let it get out as it wants to. Overtell it in the matter of detail—cutting comes later. The form will develop in the telling. Don’t make the telling follow the form.
JOHN STEINBECK
Cruising the Internet doesn't count as writing. Neither does answering e-mail. Before you check Twitter & FB and do other similar tasks that get in the way of writing, write first. (I really need to take my own advice here!)
TERRY McMILLAN
Good writing never soothes or comforts. It is no prescription, neither is it diversionary, although it can and should enchant while it explodes in the reader's face. Whenever the writer writes, it's always three or four or five o'clock in the morning in his head. Those horrid hours are the writer's days and nights when he is writing.
JOY WILLIAMS
Part of the storytelling ability is simply the anticipation of boredom and the introduction of a sudden surprise. To be a good storyteller you need to have first internalized the audience: that subvocal groan that says, “Okay, get on with it.” Not that you always have to cater to the audience’s expectations: you can cross them up, frustrate them, prolong their tension, though that too can be a way of entertaining them. In any case, you have to be aware of their demands, whether you satisfy them or not.
PHILLIP LOPATE
You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught.
RAY BRADBURY
Think of your main characters as dinner guests. Would your friends want to spend ten hours with the characters you’ve created? Your characters can be loveable, or they can be evil, but they’d better be compelling.
PO BRONSON
Write every day. Don't ever stop. If you are unpublished, enjoy the act of writing—and if you are published, keep enjoying the act of writing. Don't become self-satisfied, don't stop moving ahead, growing, making it new. The stakes are high. Why else would we write?
RICK BASS
If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.
HILARY MANTEL
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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