Writing Is Like Learning An Instrument

You have to resign yourself to the fact that you waste a lot of trees before you write anything you really like, and that’s just the way it is. It’s like learning an instrument, you’ve got to be prepared for hitting wrong notes occasionally, or quite a lot, cause I wrote an awful lot before I wrote anything I was really happy with.

J.K. ROWLING

Writing Is Selection

Writing is selection. Just to start a piece of writing you have to choose one word and only one from more than a million in the language. Now keep going. What is your next word? Your next sentence, paragraph, section, chapter? Your next ball of fact. You select what goes in and you decide what stays out. At base you have only one criterion: If something interests you, it goes in—if not, it stays out. That’s a crude way to assess things, but it’s all you’ve got.

JOHN McPHEE

Our Friend, the Semicolon

Sometimes you get a glimpse of a semicolon coming, a few lines farther on, and it is like climbing a steep path through woods and seeing a wooden bench just at a bend in the road ahead, a place where you can expect to sit for a moment, catching your breath.

LEWIS THOMAS

The First Duty of An Author

The first duty of an Author is — I conceive — a faithful allegiance to Truth and Nature; his second, such a conscientious study of Art as shall enable him to interpret eloquently and effectively the oracles delivered by those two great deities.

CHARLOTTE BRONTË

No Amount of Good Advice Will Make A Damn Bit of Difference

In the end, you either have the cojones to write and keep writing, or you don’t. No amount of good advice will make a damn bit of difference. It’s like exercise. There are health experts everywhere who will tell you what you need to do, but unless you have the discipline to make yourself sweat, it doesn’t matter in the least.

MARK JENKINS

Write In Scenes

Write in scenes. What is a scene? a) A scene starts and ends in one place at one time (the Aristotelian unities of time and place–this stuff goes waaaayyyy back). b) A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed. Starts lovestruck, ends disgusted. c) Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.

JANET FITCH

Don’t Put Down Too Many Roots

Don’t put down too many roots in terms of a domicile. I have lived in four countries and I think my life as a writer and our family’s life have been enriched by this. I think a writer has to experience new environments. There is that adage: No man can really succeed if he doesn’t move away from where he was born. I believe it is particularly true for the writer.

ARTHUR HAILEY

Rejection Has Value

Rejection has value. It teaches us when our work or our skillset is not good enough and must be made better. This is a powerful revelation, like the burning UFO wheel seen by the prophet Ezekiel, or like the McRib sandwich shaped like the Virgin Mary seen by the prophet Steve Jenkins. Rejection refines us. Those who fall prey to its enervating soul-sucking tentacles are doomed. Those who persist past it are survivors. Best ask yourself the question: what kind of writer are you? The kind who survives? Or the kind who gets asphyxiated by the tentacles of woe?

CHUCK WENDIG

If the Writing Is Great, You Always Get Into the Game

I always get in trouble when I say this: I believe there is no great screenplay that hasn’t at least been optioned. I believe there is no great screenplay that doesn’t get the writer into the business. Most screenplays are mediocre or just okay. Really great writing always, always gets noticed in Hollywood. When I hear someone say, “It’s who you know,” or “I couldn’t get it to the right agent,” that is the consolation of failure. When it really works, it might not get made, because you need a Jupiter effect of a perfect director and a perfect actor—but if the writing is great, you always get into the game.

MARK D. ROSENTHAL

Listen With Patience and Care

I learned [from my mother]…to listen with patience and care, and never to interrupt even when people were having great difficulty in explaining themselves, for during such halting and imprecise moments...people are very revealing—what they hesitate to talk about can tell much about them.

GAY TALESE