Don't Confuse Dialogue with Conversation

Young writers often confuse dialogue with conversation, under the assumption that the closer you get to reality, the more convincing you sound. But dialogue is not conversation. Dialogue is a construct; it is artificial; it is much more efficient and believable than real conversation. Just as fiction itself distorts reality in order to achieve a larger truth, so dialogue eliminates all the false starts and irrelevant intrusions of real life in order to reveal character and move the encounter toward a dramatic conclusion.

JOHN L'HEUREUX

The Purpose Of Being A Serious Writer

The purpose of being a serious writer is not to express oneself, and it is not to make something beautiful, though one might do those things anyway. Those things are beside the point. The purpose of being a serious writer is to keep people from despair. If you keep that in mind always, the wish to make something beautiful or smart looks slight and vain in comparison. If people read your work and, as a result, choose life, then you are doing your job.

SARAH MANGUSO

Poetry Is About Listening

When we were young, we were told that poetry is about voice, about finding a voice and speaking with this voice, but the older I get I think it's not about voice, it's about listening and the art of listening, listening with attention. I don't just mean with the ear; bringing the quality of attention to the world. The writers I like best are those who attend.

KATHLEEN JAMIE

Don't Write A Novel

If you want to be remembered as a clever person and even as a benefactor of humanity, don't write a novel, or even talk about it; instead, compile tables of compound interest, assemble weather data running back seventy-five years, or develop in tabular form improved actuarial information. All more useful than anything "creative" most people could come up with, and less likely to subject the author to neglect, if not ridicule and contempt. In addition, it will be found that most people who seek attention and regard by announcing that they're writing a novel are actually so devoid of narrative talent that they can't hold the attention of a dinner table for thirty seconds, even with a dirty joke.

PAUL FUSSELL

Write In Spoken Language

Here's a simple trick for getting more people to read what you write: write in spoken language. Something comes over most people when they start writing. They write in a different language than they'd use if they were talking to a friend. The sentence structure and even the words are different. No one uses "pen" as a verb in spoken English. You'd feel like an idiot using "pen" instead of "write" in a conversation with a friend.

PAUL GRAHAM