If You Want to Write, You Can

If you want to write, you can. Fear stops most people from writing, not lack of talent, whatever that is. Who am I? What right have I to speak? Who will listen to me if I do? You’re a human being, with a unique story to tell, and you have every right. If you speak with passion, many of us will listen. We need stories to live, all of us. We live by story. Yours enlarges the circle.

RICHARD RHODES

The Subtraction of Weight

My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language... . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to writing from the start, unless one finds some way of evading them.

UMBERTO ECO

Don't Leave A Word Misspelled

Don’t leave a word misspelled [in your script]. With spell-check programs on most computers, it is easier to produce perfect, clean scripts. But you still have to read every word carefully. It’s a safe bet that a script will be rejected if it has half a dozen typos or other errors in the first ten pages. If you don’t care enough to make it clean, the rest of us don’t waste time reading it. The same goes for grammar. No excuses here.

TONY BILL

Find Another Source of Income

The first thing a writer has to do is find another source of income. Then, after you have begged, borrowed, stolen, or saved up the money to give you time to write and you spend all of it staying alive while you write, and you write your heart out, after all that, maybe no one will publish it, and, if they publish it, maybe no one will read it.

ELLEN GILCHRIST

Good Writing Is the Hardest Form of Thinking

Good writing is the hardest form of thinking. It involves the agony of turning profoundly difficult thoughts into lucid form, then forcing them into the tight-fitting uniform of language, making them visible and clear. If the writing is good, then the result seems effortless and inevitable. But when you want to say something life-changing or ineffable in a single sentence, you face both the limitations of the sentence itself and the extent of your own talent.

PAT CONROY