As you get older, you should get impatient with showing off in literature. It is easier to settle for blazing light than to find a language for the real. Whether you are a writer or a bird-dog trainer, life should winnow the superfluous language. The real thing should become plain. You should go straight to what you know best.
THOMAS McGUANE
This is the extraordinary thing about creativity: If just you keep your mind resting against the subject in a friendly but persistent way, sooner or later you will get a reward from your unconscious.
JOHN CLEESE
Trust your writing. Trust your storytelling. If you put in too much of yourself, and it feels emotionally true, then let it be (and really, who is to say which is you and which isn't?).
CHIMAMANDA NGOZI ADICHIE
I was Sinclair Lewis's secretary-chess-opponent-chauffeur-protegé back when I was 24, and he told me sternly that if I could be anything else be it, but if I HAD to be a writer, I might make it. He also said, as he threw away the first 75 expository pages of my first novel: “People read fiction for emotion—not information.”
BARNABY CONRAD
Despite all the cynical things writers have said about writing for money, the truth is we write for love. That is why it is so easy to exploit us. That is also why we pretend to be hard-boiled, saying things like “No man but a blockhead ever wrote except for money” (Samuel Johnson). Not true. No one but a blockhead ever wrote except for love. . . . You must do it for love. If you do it for money, no money will ever be enough, and eventually you will start imitating your first successes, straining hot water through the same old teabag. It doesn’t work with tea, and it doesn’t work with writing.
ERICA JONG
Writing a novel is like making a movie: All sorts of accidental things will happen after you’ve set up the cameras. So you get lucky. Something will happen at the edge of the set and perhaps you go with that. You come into it accidentally. You set the story in motion, and as you're watching this thing begin, all these opportunities will show up. So in order to exploit one thing or another, you may have to do research. You may have to find out more about Chinese immigrants, or you may have to find out about Halley’s Comet, or whatever, where you didn't realize that you were going to have Chinese or Halley’s Comet in the story. So you do research on that, and it implies more, and the deeper you get into the story, the more it implies, the more suggestions it make on the plot. Toward the end, the ending becomes inevitable.
KURT VONNEGUT
Language is not a protocol legislated by an authority but rather a wiki that pools the contributions of millions of writers and speakers, who ceaselessly bend the language to their needs and who inexorably age, die, and get replaced by their children, who adapt the language in their turn.
STEVEN PINKER
I don’t think that writer’s block exists really. I think that when you’re trying to do something prematurely, it just won’t come. Certain subjects just need time. . . . You’ve got to wait before you write about them.
JOYCE CAROL OATES
Writing is terribly boring to talk about, and writing about writing is even more boring, and writing about writing a novel about a writer is probably forbidden by law in places that have a better developed sense of the comedy and wretched self-seriousness of art-making.
STUART NADLER
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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