Learn to Write Dialogue

Learn to write dialogue. 
This involves more than I can discuss here, but do it. Read the writers of great prose dialogue–people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.

JANET FITCH

 

If You Get Stuck

If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.

HILARY MANTEL

A Nonfiction Book Must Have A Dramatic Structure

A nonfiction book, especially if it’s on a complicated subject, must have a dramatic structure. If you’re writing a novel, the author has the advantage over the reader because the reader doesn’t know whether this figure’s going to be a hero or a villain, so you can do what you want with him. But if you’re writing a nonfiction work about famous and important people and about the major events in history, people know how it turned out. They know that Michelangelo was a great painter and that Picasso was going to one of the most famous painters in the world and so on. So the writer has to create what I would call a willing suspension of knowledge and make a drama of the facts of the past.

DANIEL BOORSTIN