Exercising is a good analogy for writing. If you’re not used to exercising you want to avoid it forever. If you’re used to it, it feels uncomfortable and strange not to. No matter where you are in your writing career, the same is true for writing. Even fifteen minutes a day will keep you in the habit.
JENNIFER EGAN
Poetry is a solitary process. One does not write poetry for the masses. Poetry is a self-involved, lofty pursuit. Songs are for the people. When I’m writing a song, I imagine performing it. I imagine giving it. It’s a different aspect of communication. It’s for the people.
PATTI SMITH
Almost the whole problem of writing poetry is to bring it back to what you really feel, and that takes an awful lot of maneuvering. You may feel the doorknob more strongly than some big personal event, and the doorknob will open into something you can use as your own.
ROBERT LOWELL
Just as composers go to concerts and artists visit galleries, writers read. You will learn, in the most enjoyable way, more about style and language from reading good literature than you will ever acquire from workshops and how-to books.
JUDITH BARRINGTON
Fantasy doesn’t have to be fantastic. American writers in particular find this much harder to grasp. You need to have your feet on the ground as much as your head in the clouds. The cute dragon that sits on your shoulder also craps all down your back, but this makes it more interesting because it gives it an added dimension.
TERRY PRATCHETT
The biographer at work, indeed, is like the professional burglar, breaking into a house, rifling through certain drawers that he has good reason to think contain the jewelry and money, and triumphantly bearing his loot away. . . . The reader’s amazing tolerance (which he would extend to no novel written half as badly as most biographies) makes sense only when seen as a kind of collusion between him and the biographer in an excitingly forbidden undertaking: tiptoeing down the corridor together, to stand in front of the bedroom door and try to peep through the keyhole.
JANET MALCOLM
My gripe is not with lovers of the truth but with truth herself. What succor, what consolation is there in truth, compared to a story? What good is truth at midnight, in the dark, when the wind is roaring like a bear in the chimney? What you need are the plump comforts of a story.
DIANE SETTERFIELD
Writing/reading is, above all, a transaction. The reader donates his time and attention, which are supremely valuable commodities. In return, you the writer must give him something worthy of his gift to you.
STEVEN PRESSFIELD
Story is about an internal struggle, not an external one. It’s about what the protagonist has to learn, to overcome, to deal with internally in order to solve the problem that the external plot poses. That means that the internal problem predates the events in the plot, often by decades. So if you don’t know, specifically, what your protagonist wants, what internal misbelief is standing in his way—and most important, why—how on earth can you construct a plot that will force him to deal with it? The answer is simple: you can't.
LISA CRON
You listen to people so that you can imagine them, and you hear all the terrible and wonderful things people do to themselves and to one another, but in the end the listening exposes you even more than it exposes the people you’re trying to listen to.
JOHN GREEN
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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