Writing A Novel Is Like Making Love
/Writing a novel is like making love, but it’s also like having a tooth pulled. Pleasure and pain. Sometimes it’s like making love while having a tooth pulled.
DEAN KOONTZ
Writing a novel is like making love, but it’s also like having a tooth pulled. Pleasure and pain. Sometimes it’s like making love while having a tooth pulled.
DEAN KOONTZ
That is part of the beauty of all literature. You discover that your longings are universal longings, that you’re not lonely and isolated from anyone. You belong.
F. SCOTT FITZGERALD
We fret about words, we writers. Words mean. Words point. They are arrows. Arrows stuck in the rough hide of reality. And the more portentous, more general the word, the more they can also resemble rooms or tunnels. They can expand, or cave in. They can come to be filled with a bad smell. They will often remind us of other rooms, where we’d rather dwell or where we think we are already living. They can be spaces we lose the art or the wisdom of inhabiting. And eventually those volumes of mental intention we no longer know how to inhabit will be abandoned, boarded up, closed down.
SUSAN SONTAG
It is a silver morning like any other. I am at my desk. Then the phone rings, or someone raps at the door. I am deep in the machinery of my wits. Reluctantly I rise, I answer the phone or I open the door. And the thought which I had in hand, or almost in hand, is gone. Creative work needs solitude. It needs concentration, without interruptions. It needs the whole sky to fly in, and no eye watching until it comes to that certainty which it aspires to, but does not necessarily have at once. Privacy, then. A place apart — to pace, to chew pencils, to scribble and erase and scribble again.
MARY OLIVER
When it comes time for me to write, I don't outline and I don't do any of that stuff. I just sit down and write. If it's not honest emotionally then it's not good, and that's my only rule.
SHONDA RHIMES
Fraught and messy though an artistic life may be, is there a drug that can induce the euphoria as energizing as that intensely fragile moment when the muse passes through one and the artist becomes the simultaneously perfect and flawed instrument of expression? No, there is not. Even as the inner voices battle it out, intoning “You suck!” and “Eureka!” in equal measure, creation is—like the loosest of teeth just begging to be toggled by the curious tongue—a joyous torment, in whatever form it takes.
DAVID RAKOFF
The important thing in writing is the capacity to astonish. Not shock—shock is a worn-out word—but astonish. The world has no grounds whatever for complacency. The Titanic couldn’t sink, but it did. Where you find smugness, you find something worth blasting. I want to blast it.
TERRY SOUTHERN
When you write, you lay out a line of words. The line of words is a miner’s pick, a woodcarver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year.
ANNIE DILLARD
Behind the complicated details of the world stand the simplicities: God is good, the grown-up man or woman knows the answer to every question, there is such a thing as truth, and justice is as measured and faultless as a clock. Our heroes are simple: they are brave, they tell the truth, they are good swordsmen and they are never in the long run really defeated. That is why no later books satisfy us like those which were read to us in childhood—for those promised a world of great simplicity of which we knew the rules, but the later books are complicated and contradictory with experience; they are formed out of our own disappointing memories.
GRAHAM GREENE
I work in erratic spurts. Getting started is like getting a rocket off the ground. You need the most energy and the most push to get started; once you're up there and you're going, then it's easier to keep going. Sit down and pick up where you left off, you know. Getting going is always tough.
R. CRUMB
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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