Kill the Cliché

Kill the cliché. When you’re writing, anything you’ve ever heard or read before is a cliché. They can be combinations of words: Cold sweat. Fire-engine red, or phrases: on the same page, level playing field, or metaphors: big as a house. So quiet you could hear a pin drop. Sometimes things themselves are cliches: fuzzy dice, pink flamingo lawn ornaments, long blonde hair. Just keep asking yourself, “Honestly, have I ever seen this before?” Even if Shakespeare wrote it, or Virginia Woolf, it’s a cliché. You’re a writer and you have to invent it from scratch, all by yourself. That’s why writing is a lot of work, and demands unflinching honesty.

JANET FITCH

Empty Days Are Important

I always forget how important the empty days are, how important it may be sometimes not to expect to produce anything, even a few lines in a journal. A day when one has not pushed oneself to the limit seems a damaged, damaging day, a sinful day. Not so! The most valuable thing one can do for the psyche, occasionally, is to let it rest, wander, live in the changing light of a room.

MAY SARTON

Research Is Where the Story Comes From

For many writers, research is a big yawn. The past is a foreign country, and who cares how they do things differently there? Research is reading disintegrating papers in dusty libraries; sifting through shoe boxes in ancient attics; interviewing people who don’t know when to stop talking. But for biographers, research is thrilling. Reconstructing history is delicious. Research is where the story comes from; it’s the bits and pieces of the past we are trying to bring to life.

SUSAN CHEEVER

History Is About Life

History is about life. It's awful when the life is squeezed out of it and there's no flavor left, no uncertainties, no horsing around. It always disturbed me how many biographers never gave their subjects a chance to eat. You can tell a lot about people by how they eat, what they eat, and what kind of table manners they have.

DAVID McCULLOUGH

Write a Good Sentence

Write a good sentence, then a good paragraph, and don’t be dreaming about writing the great American novel or what you’ll wear at the awards ceremony because that’s not what writing’s about or how you get there from here. The road is made entirely out of words.

REBECCA SOLNIT