A Lot of Life Doesn't Go Anywhere

I’m interested in the way a character imagines his or her own reality, navigates it, gets it wrong, has a new idea, and rebuilds. I find that to be a pretty important experience as a human being. My life has a plot, certainly, but I live an internal life inside my head, and I think that’s probably true for most people, except for shut-down morons hypnotized by TV or sex or whatever. A lot of life doesn’t go anywhere, and what’s interesting is what happens on the inside in that time.

OTTESSA MOSHFEGH

Writing Is About Charm

We’re not only allowed to think about audience, we’d better. What we’re doing in writing is not all that different from what we’ve been doing all our lives, i.e., using our personalities as a way of coping with life. Writing is about charm, about finding and accessing and honing ones’ particular charms. To say that “a light goes on” is not quite right—it’s more like: a fixture gets installed.

GEORGE SAUNDERS

Never Compromise Excellence

Never compromise excellence. To write for someone else is the biggest mistake that any writer makes. You should be your biggest competitor, your biggest critic, your biggest fan, because you don’t know what anybody else thinks. How arrogant it is to assume that you know the market, that you know what’s popular today.... Write what you want to see. Because if you don’t, you’re not going to have any true passion in it, and it’s not going to be done with any true artistry.

JOHN MILIUS

Who's Your Ideal Reader?

Who’s your ideal reader? Don’t imagine someone who loves your work and gets what you’re trying to do. Imagine the most impatient person you know, the one whose attention is hard to hold onto, the one who says spit it out or get to the point when you’re trying to tell an anecdote. That’s your ideal reader. If you can successfully engage someone like that, you’re probably not cutting yourself any slack in the clarity department, and you’re definitely not cutting yourself any slack in the economy department.

PATRICK RYAN