Marry Experience with Imagination

Saying “write what you know” limits us from the outset -- we only “know” a limited number of things, after all. I know the smell of honeysuckle on a summer’s day. I know what it’s like to have a toddler, to be a terrible bowler, to slurp up gin from my rat’s nest of a beard so as not to waste its herbal booziness. We should certainly write our experiences, but we cannot limit ourselves only to that. We should be encouraged then to have new experiences. To know and learn -- gasp! -- new things. Write with authority and authenticity. Marry experience with imagination in a ceremony upon the story’s page.

CHUCK WENDIG

Put It on the Line

A screenwriter has to be able to put it on the line. I didn’t have another agenda. I didn’t do something because I thought it was going to make me rich. I didn’t do something because I thought it was going to make me loved. I didn’t do something because I thought it was going to be hip. I did the best I could and put out something that I believed in.

JOHN MILIUS

What Is Easy to Read Has Been Difficult to Write

What is easy to read has been difficult to write. The labor of writing and rewriting, correcting and re-correcting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labor, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow.

G.M. TREVELYAN

It's Your Duty to Lie

There's an enormous difference between being a story writer and being a regular person. As a person, it's your duty to stay on a straight and even keel, not to break down blubbering in the streets, not to pull rude drivers from their cars, not to swing from the branches of trees. But as a writer it's your duty to lie and to view everything in life, however outrageous, as an interesting possibility. You may need to be ruthless or amoral in your writing to be original. Telling a story straight from real life is only being a reporter, not a creator. You have to make your story bigger, better, more magical, more meaningful than life is, no matter how special or wonderful in real life the moment may have been.

RICK BASS