I'm trying to help us remember that we invent our own beauty and our own paths and our own crooked, weird ways of doing things, but that they're not nothing and they matter, too. We're the half of culture that doesn't take the paths that are sitting right in front of us. Our song may be a little off-key, but it's a kind of beauty, too.
LIDIA YUKNAVITCH
The secret of popular writing is never to put more on a given page than the common reader can lap off it with no strain whatsoever on his habitually slack attention.
EZRA POUND
You are on the lookout for experience, strength, and hope. You want to hear from the horse’s mouth exactly how disappointments have been survived. It helps to know that the greats have had hard times too and that your own hard times merely make you part of the club.
JULIA CAMERON
Be a good steward of your gifts. Protect your time. Feed your inner life. Avoid too much noise. Read good books, have good sentences in your ears. Be by yourself as often as you can. Walk. Take the phone off the hook. Work regular hours.
JANE KENYON
I have so little control over the act of writing that it's all I can do to remain conscious. Actual formal considerations are almost beyond my capacity. Before I sat down and became a writer, before I began to do it habitually and for my living, there was a decades-long stretch when I was terrified that it would suck, so I didn't write. I think that marks a lot of people, a real terror at being bad at something, and unfortunately you are always bad before you can get a little better.
DAVID RAKOFF
Your best tools are short, plain, Anglo-Saxon verbs. I mean active verbs, not passive verbs. If you could write an article using only active verbs, your article would automatically have clarity and warmth and vigor.
WILLIAM ZINSSER
Sometimes you get a glimpse of a semicolon coming, a few lines farther on, and it is like climbing a steep path through woods and seeing a wooden bench just at a bend in the road ahead, a place where you can expect to sit for a moment, catching your breath.
LEWIS THOMAS
Don't panic. Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends' embarrassment, the failing career, the dwindling income, the repossessed house, the divorce . . . Working doggedly on through crises like these, however, has always got me there in the end. Leaving the desk for a while can help. Talking the problem through can help me recall what I was trying to achieve before I got stuck. Going for a long walk almost always gets me thinking about my manuscript in a slightly new way. And if all else fails, there's prayer. St. Francis de Sales, the patron saint of writers, has often helped me out in a crisis. If you want to spread your net more widely, you could try appealing to Calliope, the muse of epic poetry, too.
SARAH WATERS
It’s like boiling down. Four pages can go through six, eight, ten drafts to get down. The beginning is always rewritten much more than the rest, because it’s the setting up of information as well as the telling of the story—that’s always much harder to juggle.
SUSAN MINOT
Saying “write what you know” limits us from the outset -- we only “know” a limited number of things, after all. I know the smell of honeysuckle on a summer’s day. I know what it’s like to have a toddler, to be a terrible bowler, to slurp up gin from my rat’s nest of a beard so as not to waste its herbal booziness. We should certainly write our experiences, but we cannot limit ourselves only to that. We should be encouraged then to have new experiences. To know and learn -- gasp! -- new things. Write with authority and authenticity. Marry experience with imagination in a ceremony upon the story’s page.
CHUCK WENDIG
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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