Good Writing Never Soothes or Comforts

Good writing never soothes or comforts. It is no prescription, neither is it diversionary, although it can and should enchant while it explodes in the reader's face. Whenever the writer writes, it's always three or four or five o'clock in the morning in his head. Those horrid hours are the writer's days and nights when he is writing.

JOY WILLIAMS

The Unconscious Takes Over

The unconscious mind takes the germ of an idea and develops it, but usually this happens only when a writer has tried hard, and logically, to develop it himself. After he has given it up for a few hours, getting nowhere, a great advancement of the plot will pop into his head. I have been waked up in the night sometimes by a plot advancement or a solution of a problem that I had not even been dreaming about.

PATRICIA HIGHSMITH

No One Is Going to Select You

It’s a cultural instinct to wait to get picked. To seek out the permission and authority that comes from a publisher or talk show host or even a blogger saying, “I pick you.” Once you reject that impulse and realize that no one is going to select you—that Prince Charming has chosen another house—then you can actually get to work.

SETH GODIN

You Don't Know What You're Doing

What you're trying to do is hook one sentence to the sentence before and the next one to that sentence. And as you do, you're building a house…. The architect and the contractor, they know what the house is going to look like when it's done — and that's the big difference. I don't have any idea what it will look like when it's done. I don't have any idea whether it will even be done, because you don't know what you're doing when you're at work.

PHILIP ROTH

A Story Is Triggered by a Character

Usually, a story is triggered by a notion I have of a character in a particular situation, and the various reactions that character might have to the situation. My starting point is always the character. Person + event + reaction = what next? If something like setting or plot or a line of dialogue happens to be the spark, it’s not the kindling. Character is always the kindling.

PATRICK RYAN 

The Burden of Time

I had done a writer's workshop with Gordon Lish, the notorious creative writing teacher at one point many years earlier. But I'd never actually written. And I think to a great extent, the reason Kitchen Confidential sounds like it does is I just did not have the luxury or the burden of a lot of time to sit around and contemplate the mysteries of the universe. I had to wake up at 5 o'clock in the morning, write for an hour and a half, and then I had to go to work to a real job. So here I was. It was liberating in the sense that I had no time to think about what I was writing. And I certainly had no customer or reader in mind because I was quite sure no one would ever read it. That was, in many ways, a very liberating place to be. And I've kind of tried to stick with that business model since.

ANTHONY BOURDAIN