Failure is part of it. You will be rejected dozens and dozens of times. The best way to prepare for it is to have something else in the works by the time the rejection letter arrives. Invest your hope in the next project. Learning to cope with rejection is a good trait to develop.
PO BRONSON
Writing teachers invariably tell students, Write about what you know. That’s, of course, what you have to do, but on the other hand, how do you know what you know until you’ve written it? Writing is knowing. What did Kafka know? The insurance business? So that kind of advice is foolish, because it presumes that you have to go out to a war to be able to do war. Well, some do and some don’t. I’ve had very little experience in my life. In fact, I try to avoid experience if I can. Most experience is bad.
E.L. DOCTOROW
Just write every day of your life. Read intensely. Then see what happens. Most of my friends who are put on that diet have very pleasant careers.
RAY BRADBURY
Every single day, I get emails from aspiring writers asking my advice about how to become a writer, and here is the only advice I can give: Don’t make stuff because you want to make money — it will never make you enough money. And don’t make stuff because you want to get famous — because you will never feel famous enough. Make gifts for people — and work hard on making those gifts in the hope that those people will notice and like the gifts.
JOHN GREEN
Life is not always explained. When I used to teach summer classes at Columbia, I would often take my students to the Hungarian Pastry Shop on the Upper West Side. I would ask them to bring a notebook and to surreptitiously document, word for word, all the conversations they overheard. When we came back to the classroom we read these aloud. What we heard was fascinating. People never talk directly at one another. They seem to always talk in circles.
ANNIE DeWITT
Reading reviews of your own book is ... a no-win game. If the review is flattering, one tends to feel vain and uneasy. If it is bad, one tends to feel exposed, found out. Neither feeling does you any good.
WALKER PERCY
The greatest symbol of what writing is about is the full text version of the Oxford English Dictionary. The CD-ROM version is nice, but the physical enormity of the printed text gives a writer a sense of humility (if that is still possible), because the mountain to be scaled is the language. Auden used to sit on the first volume while at the dinner table, the better to stay even with language and with dinner. Any good teacher I've ever had—and the best was John McPhee—stressed the enormity of choice English provides, its capacity for clarity and ambiguity, dullness and thrill. It is the greatest invention ever devised (and re-devised). And, of course, the only way to get anywhere as a writer is to have read ceaselessly and then read some more. Pound (that rat) says somewhere that it is incredible to him that so many "poets" simply pick up a pen and start writing verse and call it poetry, while a would-be pianist knows full well how necessary it is to master scales and thousands of exercises before making music worthy of the name. Playing scales, for a writer, means reading. Is there any real writing that has no reading behind it? I don't think so.
DAVID REMNICK
Almost the whole problem of writing poetry is to bring it back to what you really feel, and that takes an awful lot of maneuvering. You may feel the doorknob more strongly than some big personal event, and the doorknob will open into something you can use as your own.
ROBERT LOWELL
All writers are vain, selfish and lazy, and at the very bottom of their motives lies a mystery. Writing a book is a long, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven by some demon whom one can neither resist nor understand.
GEORGE ORWELL
Good writing never soothes or comforts. It is no prescription, neither is it diversionary, although it can and should enchant while it explodes in the reader's face. Whenever the writer writes, it's always three or four or five o'clock in the morning in his head. Those horrid hours are the writer's days and nights when he is writing.
JOY WILLIAMS
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
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