Writing Is Selection

Writing is selection. Just to start a piece of writing you have to choose one word and only one from more than a million in the language. Now keep going. What is your next word? Your next sentence, paragraph, section, chapter? Your next ball of fact. You select what goes in and you decide what stays out. At base you have only one criterion: If something interests you, it goes in—if not, it stays out. That’s a crude way to assess things, but it’s all you’ve got.

JOHN McPHEE

We Must Not Be Defeated

There is, I hope, a thesis in my work: we may encounter many defeats, but we must not be defeated. That sounds goody-two-shoes, I know, but I believe that a diamond is the result of extreme pressure and time. Less time is crystal. Less than that is coal. Less than that is fossilized leaves. Less than that it’s just plain dirt. In all my work, in the movies I write, the lyrics, the poetry, the prose, the essays, I am saying that we may encounter many defeats—maybe it’s imperative that we encounter the defeats—but we are much stronger than we appear to be and maybe much better than we allow ourselves to be. 

MAYA ANGELOU

Screenwriting Is a Horse Race Without a Finish Line

A guy much smarter than I once described [screenwriting] as a horse race without a finish line. Just because you wanna do it doesn’t mean you’re gonna get to do it. However, if you are really talented, you are so separated from the overwhelming majority of the people who are trying to do it that I think you’ll get noticed. It may take a few times. Rejection is as much a part of this as physical fitness is part of being a Marine. If you’re not prepared to do a lot of push-ups, don’t enlist in the Marines. If you’re not prepared to be rejected, don’t try to write films.

PETER HYAMS