How to Write Good

Avoid run-on sentences that are hard to read.

No sentence fragments.

It behooves us to avoid archaisms.

Also, avoid awkward or affected alliteration.

Don't use no double negatives.

If I've told you once, I've told you a thousand times, "Resist hyperbole."

Avoid commas, that are not necessary.

Verbs has to agree with their subjects.

Avoid trendy locutions that sound flaky.

Writing carefully, dangling participles should not be used.

Kill all exclamation points!! 

Never use a long word when a diminutive one will do.Proofread carefully to see if you any words out.

Take the bull by the hand and don't mix metaphors.

Don't verb nouns.

Never, ever use repetitive redundancies.

Last but not least, avoid clichés like the plague.

WILLIAM SAFIRE

Books Are Humanity in Print

Without books the development of civilization would have been impossible. They are the engines of change, windows on the world, "Lighthouses" as the poet said "erected in the sea of time." They are companions, teachers, magicians, bankers of the treasures of the mind. Books are humanity in print.

ARTHUR SCHOPENHAUER

Art Is Work

If you have to find devices to coax yourself to stay focused on writing, perhaps you should not be writing what you're writing. And if this lack of motivation is a constant problem, perhaps writing is not your forte. I mean, what is the problem? If writing bores you, that is pretty fatal. If that is not the case, but you find that it is hard going and it just doesn't flow, well, what did you expect? It is work; art is work.

URSULA K. LE GUIN

May You Live with Hysteria

May you live with hysteria, and out of it make fine stories—science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.

RAY BRADBURY

Vigorous Writing Is Concise

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell.

WILLIAM STRUNK, JR.

Think Small

Write about small, self-contained incidents that are still vivid in your memory. If you remember them, it’s because they contain a larger truth that your readers will recognize in their own lives. Think small and you’ll wind up finding the big themes in your family saga.

WILLIAM ZINSSER

Most Interviews Should Be Done in Person

I think most interviews should be done in person. I think it’s great fun. I think you interview better when you see someone. As you show up, you get a higher validation. You've made the effort to come to their house, you see people. It’s more fun. The real fun is in doing the interviews.

DAVID HALBERSTAM

Good Writing Never Soothes or Comforts

Good writing never soothes or comforts. It is no prescription, neither is it diversionary, although it can and should enchant while it explodes in the reader's face. Whenever the writer writes, it's always three or four or five o'clock in the morning in his head. Those horrid hours are the writer's days and nights when he is writing.

JOY WILLIAMS

It's Like Wrestling

It is like wrestling; you are wrestling with ideas and with the story. There is a lot of energy required. At the same time, it is exciting. So it is both difficult and easy. What you must accept is that your life is not going to be the same while you are writing. I have said in the kind of exaggerated manner of writers and prophets that writing, for me, is like receiving a term of imprisonment — you know that’s what you’re in for, for whatever time it takes.

CHINUA ACHEBE

You Always Have to Leave Something Out

It's impossible to say a thing exactly the way it was, because of what you say can never be exact, you always have to leave something out, there are too many parts, sides, crosscurrents, nuances; too many gestures, which could mean this or that, too many shapes which can never be fully described, too many flavors, in the air or on the tongue, half-colors, too many.

MARGARET ATWOOD