Write Like You Talk

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I owe a vast debt to Simon Hoggart of The Guardian (son of the author of The Uses of Literacy), who about 35 years ago informed me that an article of mine was well argued but dull, and advised me briskly to write “more like the way that you talk.” At the time, I was near speechless at the charge of being boring and never thanked him properly, but in time I appreciated that my fear of self-indulgence and the personal pronoun was its own form of indulgence.

CHRISTOPHER HITCHENS

Read Writers’ Letters and Journals

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When people feel depressed or anxious, what often troubles them is time. If you cannot see tomorrow, a minute goes so slowly, the clock doesn’t move, and that’s how I feel when I’m not doing well. So, I read writers’ letters and journals — you’re looking at a lifetime in 600 pages. For instance, Katherine Mansfield died young but in her journal it was a lifetime. She had to live every day. Every day was still pain and struggle and poverty. Days are repetitive. Reading other people’s letters and journals makes me a little more patient with life.

YIYUN LI

Novels Have Deep Roots in Storytelling

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We often forget that novels have deep roots in storytelling, because books are objects, things you hold and read alone in your underwear. But I always try to connect the novel back to its roots: We’re sitting around a campfire, and now it’s someone’s turn to tell a story. I try to think of myself as a storyteller, rather than a “writer.”

REIF LARSEN

Read, Read, Read

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There was a wonderful, wonderful English teacher at Quincy [Illinois] High School, named Marjorie Bolt, who had tremendous influence on me. I guess maybe everyone has had this experience—one high school teacher that just made the world come to life. She could do that. I just loved her English classes. She always said, “Read, read, read.” She was constantly shoving books into our hands, and she was so enthusiastic about it. I still remember that very vividly.

JAMES B. STEWART

Writing Is for Compulsive Storytellers

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Examine your motives. Are you drawn to fiction writing because it can be performed cheaply at home? Are you an alcoholic looking for an excuse to sleep late? Writing is for compulsive storytellers. So are a lot of things—police work, diplomacy, counseling the needy, etc. Before you commit to writing as a career, make sure you’re not simply agoraphobic or depressed.

NELL ZINK

If You're Writing, You're a Writer

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Advice? I don’t have advice. Stop aspiring and start writing. If you’re writing, you’re a writer. Write like you’re a goddamn death row inmate and the governor is out of the country and there’s no chance for a pardon. Write like you’re clinging to the edge of a cliff, white knuckles, on your last breath, and you’ve got just one last thing to say, like you’re a bird flying over us and you can see everything, and please, for God’s sake, tell us something that will save us from ourselves. Take a deep breath and tell us your deepest, darkest secret, so we can wipe our brow and know that we’re not alone. Write like you have a message from the king. Or don’t. Who knows, maybe you’re one of the lucky ones who doesn’t have to.

ALAN WATTS

It Takes Faith

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In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.

TOBIAS WOLFF

Out of Failure Comes Something Better

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Contrary to popular wisdom, being “blocked” is not about running out of things to say. Instead, it’s succumbing to the unrealistic expectation that your work must Be Great Now. It’s a decision to remain silent rather than speak and maybe stumble. It’s the determination to avoid failure, which is a great way to ensure that the humbling work of getting better will never begin. But if you’re willing to lower your expectations, to temporarily mute your inner critic, then incremental progress is always possible. And that’s where novelists have struck on something. Above all else, writers are people who allow themselves the freedom to suck—unrepentantly, happily, even. They’ve learned through hard experience that out of failure comes something better. And that the only catastrophe, really, is the refusal to keep trying. 

JOE FASSLER

A Novel Takes Over a Writer's Life

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I just write what I want to write. Quiet is very beautiful to me, the medium of everything that matters. I'm grateful for the patience of my readers, certainly. But the fact is that a novel takes over a writer's life for literal years. What I write, day by day and word by word, is much of my felt life. It would be a terrible capitulation to give up my explorations of quiet because of anxiety about the receptiveness of readers. I have found that readers are very much to be trusted.

MARILYNNE ROBINSON