Don't Write a Memoir Unless You Have To

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Don’t write [a memoir] unless you feel like you absolutely have to. It’s a painful process, kind of like pouring acid into an open wound or sticking chopsticks into your eyeballs or searching for metaphors that aren’t cliché. It’s hard emotional work. It’s hard writing work. Things you thought were sealed, emotions tucked neatly into a solved and resolved corner come frothing and festering out. Be prepared for tears and trauma and many hours thinking about ways to express those traumas in logical sentences.

JAIME LOWE

Use the Landscape

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Use the landscape. Always tell us where we are. And don’t just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they’re great at this.

JANET FITCH

Stand-Ins

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Many of the writers I know have a stand-in. Bellow has Herzog. Mailer had this character named Sergius O'Shaughnessy. Céline had Céline. Gombrowicz had Gombrowicz. They didn’t have stand-ins but they were stand-ins indeed labeled with their own name. A stand-in both frees you to draw on your own experience and to invent off of your own experience. It’s a mask. And in masks there is freedom.

PHILIP ROTH

Artists Live in a Constant State of Terror

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One of the hardest things of all is to start. Just sitting down and getting over your own intimidations. Every professional songwriter I know — people who do it 100% for their living — is terrified every time they sit down to write. You’re always convinced that your next song is going to be your last, or that it’s going to be your worst, or that you’ll never be able to write anything as good as your hit. It’s a constant terror. I think all artists live in a constant state of terror. And part of our job is to know our own chaos well enough to be able to make sense of it when you can.

JANIS IAN

To Understand Is to Tremble

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I distrust summaries, any kind of gliding through time, any too great a claim that one is in control of what one recounts; I think someone who claims to understand but is obviously calk, someone who claims to write with emotion recollected in tranquility, is a fool and a liar. To understand is to tremble. To recollect is to re-enter and be riven.... I admire the authority of being on one’s knees in front of the event.

HAROLD BRODKEY

Learning to Write

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I started writing because I was compelled to. When I was 13 or so, I spent two or three hours a day writing in that adolescent, struggling, angst-ridden way. By the time I was 21 I'd spent so much time doing it that I allowed a small practical idea to enter my thoughts: Well, if I'm doing this so much, maybe I can make something of it. I was learning to write, learning what it took to write.

SUSAN MINOT

Keep the Momentum Going

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One of the vital things for a writer who’s writing a book, which is a lengthy project and is going to take about a year, is how to keep the momentum going. It is the same with a young person writing an essay. They have got to write four or five or six pages. But when you are writing it for a year, you go away and you have to come back. I never come back to a blank page; I always finish about halfway through. To be confronted with a blank page is not very nice. But Hemingway, a great American writer, taught me the finest trick when you are doing a long book, which is, he simply said in his own words, “When you are going good, stop writing.” And that means that if everything’s going well and you know exactly where the end of the chapter’s going to go and you know just what the people are going to do, you don’t go on writing and writing until you come to the end of it, because when you do, then you say, well, where am I going to go next? And you get up and you walk away and you don’t want to come back because you don’t know where you want to go. But if you stop when you are going good, as Hemingway said…then you know what you are going to say next. You make yourself stop, put your pencil down and everything, and you walk away. And you can’t wait to get back because you know what you want to say next and that’s lovely and you have to try and do that. Every time, every day all the way through the year. If you stop when you are stuck, then you are in trouble!

ROALD DAHL