The Right Way to Do an Autobiography

The right way to do an autobiography [is to] start it at no particular time of your life; wander at your free will all over your life; talk only about the thing which interests you for the moment; drop it the moment its interest threatens to pale, and turn your talk upon the new and more interesting thing that has intruded itself into your mind meantime.

MARK TWAIN

What Is Character Without Action?

Henry James said, “What is character without action?” Your character doesn’t have to jump off a building, but what does he do when he’s moving? Where is he? What’s he doing? Cast him up in front of your eyes. He’s yours now. You own him. And from now on, it’s a combination of what he does and what you want him to do that’s going to make this character come alive.

CAROLYN SEE

You've Got to Sell Your Heart

You’ve got to sell your heart, your strongest reactions, not the little minor things that only touch you lightly, the little experiences that you might tell at dinner. This is especially true when you begin to write, when you have not yet developed the tricks of interesting people on paper, when you have none of the technique which it takes time to learn. When, in short, you have only your emotions to sell.

F. SCOTT FITZGERALD

My Perfect Reader

My "perfect" reader is not a scholar but neither is he an ignoramus; he does not read because he has to, nor as a pastime, nor to make a splash in society, but because he is curious about many things, wishes to choose among them and does not wish to delegate this choice to anyone; he knows the limits of his competence and education, and directs his choices accordingly; in the present case he has with good will chosen my books and would experience irritation or pain if he did not understand line by line what I had written, indeed, have written for him: in fact I write for him and not for the critics, nor for the powerful of the earth, nor for myself. If he did not understand me, he would feel unjustly humiliated, and I would be guilty of a breach of contract.

PRIMO LEVI

Writers Make Everybody Nervous

Writers make everybody nervous but we terrify Silly Service workers. Our apartments always look like a front for something, and no matter how carefully we tidy up for guests we always seem to miss the note card that says, “Margaret has to die soon.” We own the kind of books that spies use to construct codes, like The Letters of Mme. de Sevigne, and we are the only people in the world who write oxymoron in the margin of the Bible. Manuscripts in the fridge in case of fire, Strunk’s Elements in the bathroom, the Laramie City Directory explained away with “It might come in handy,” all strike fear in the GS-7 heart. Nobody really wants to sleep with a writer, but Silly Service workers won’t even talk to us.

FLORENCE KING

Action Is Character

“Action is character.” This is what F. Scott Fitzgerald wrote in his notes while working on his final novel, The Last Tycoon, and he wrote it in caps: ACTION IS CHARACTER. If one of our greatest narrative writers had to remind himself of that right up to the end, it must be pretty important. It is. Human beings are far too complex to explain away in so many words: imperious; timid; pompous; vain; bombastic--and so on.

BLAKE BAILEY

Ask a Reading Friend to Look at It

You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. You’ve been backstage. You’ve seen how the rabbits were smuggled into the hat. Therefore ask a reading friend or two to look at it before you give it to anyone in the publishing business. This friend should not be someone with whom you have a romantic relationship, unless you want to break up. 

MARGARET ATWOOD