Writers Need Tolerant People Around Them

I think writers need tolerant people around them. They’re prickly and strange and needy, yet they demand to be left alone. First readers need to be aware of what they’re being asked; it’s mostly for moral support, but any evidence of close reading and real appreciation is welcome to the wretch who feels she’s walking in the dark—it’s as if someone has switched on a light and said, “This way.”

HILARY MANTEL

Where to Start

When starting a book, where to start? Tape up a poster-size sheet of graph paper. I’m not kidding. Draw big circles for sections/themes/plot points you already know about. (Use pencil) You’ll add details to each over time. For today, write one short shitty 1st draft of ANYTHING.

ANNE LAMOTT

A Writer Is a Tyrant

Writing is a process that’s entirely totalitarian. A writer is a tyrant, a dictator. He has complete power over every comma, every sentence, every character. When I’m writing, I’m the boss — I’m in charge. When the book is published, the political nature of it changes completely. People can read my books in whatever way they want to. I don’t want any control over the process of reading, it’s democratic: and furthermore, between the reader and the book there opens up a space of complete freedom, which is also private. In a democracy, we have a private voting booth. It’s secret. So the difference between reading and writing is the difference between democracy and tyranny. 

PHILIP PULLMAN

The Reality of Being a Writer

I think it’s important to talk about the reality of being a writer. The glossy author photos don’t really speak to that. To the sacrifices that are made. And the times when you watch your family and friends who have chosen other paths make money, get married, move up and out in the world, have kids. You wonder what direction your life is truly going in and have to grapple with some difficult choices, all without knowing whether or not you’ll succeed. That’s, to date, the hardest thing I’ve had to face. My own self-doubt.

ANNIE DeWITT

Literature Is About People Who Do the Wrong Thing

Sometimes students seem shy about writing about people who do the wrong thing -- we’re all taught to do the right thing and focus on the right thing. But all of literature is about people who do the wrong thing, despite themselves. What would the story be if they did the right thing? No story at all. Fiction wants to look at all the things that go wrong.

CHANG-RAE LEE

Writing Is Immensely Difficult, the Short Forms Especially

I had to write to the teacher when one of my children missed a day of school. It was my daughter, Caroline, who was then in the second or third grade. I was having my breakfast one morning when she appeared with her lunch box, her rain slicker, and everything, and she said, “I need an absence note for the teacher and the bus is coming in a few minutes.” She gave me a pad and a pencil; even as a child she was very thoughtful. So I wrote down the date and I started, Dear Mrs. So-and-so, my daughter Caroline…and then I thought, No, that’s not right, obviously it’s my daughter Caroline. I tore that sheet off, and started again. Yesterday, my child . . . No, that wasn’t right either. Too much like a deposition. This went on until I heard a horn blowing outside. The child was in a state of panic. There was a pile of crumpled pages on the floor, and my wife was saying, “I can’t believe this. I can’t believe this.” She took the pad and pencil and dashed something off. I had been trying to write the perfect absence note. It was a very illuminating experience. Writing is immensely difficult. The short forms especially.

E.L. DOCTOROW

A Semicolon Does What It Says on the Box

For those who don’t know the rules — and I don’t blame you! — a semicolon does what it says on the box. Isn’t that nice? It’s a period on top of a comma, and it works like both a period and a comma. You can use it to separate two independent clauses — two sentences that work on their own — or to separate items in a series that would be particularly unwieldy with only commas, often because the items contain commas. (“Today I ate three desserts: a tiny cookie, which was free with my espresso; a bigger cookie, which was unfortunately a little dry; and a milkshake, which maybe took things too far.”)

LAUREN OYLER

Writing Is Never Wasted Time

You get really clear that you aren’t writing solely for the public. You’re clear that you have to find the more immediate rewards of writing. You might as well be in love with whatever you’re working on whether or not it’s a success. Writing is never wasted time.

CHUCK PALAHNIUK

Writers Are Forever Remembering

They straightened out the Mississippi River in places, to make room for houses and livable acreage. Occasionally the river floods these places...but in fact it is not flooding; it is remembering.... All water has a perfect memory and is forever trying to get back to where it was. Writers are like that: remembering where we were, what valley we ran through, what the banks were like, the light that was there and the route back to our original place.

TONI MORRISON

Steer Clear of Adjectives

There is an ancient piece of classroom wisdom that is not entirely misguided when it states: steer clear of adjectives! Editors are unlikely to grumble about a missing adjective, but they will use up their pencils crossing out superfluous ones. When in doubt, leave it out. The critic Wolf Schneider provides an excellent illustration: “If the author of The Linden Tree had written—instead of ‘By the well, before the gate, stands a linden tree’—‘By the tumbled-down well, in front of the dilapidated, vine-clad gate, stands a gnarled old linden tree,’ his poem would not have been set to music by Schubert.” Quite so. Once the right verb and the right noun have been found, the writer has a full load and can set out for home (or embark on a Winterreise). That is the approach of the adjective skeptic. In the words of the poet-diplomat Paul Claudel, la crainte de l’adjectif est le commencement du style—fear of the adjective is the beginning of style.

MICHAEL MAAR