Screenplays are structure, and that’s all they are. The quality of writing—which is crucial in almost every other form of literature—is not what makes a screenplay work. Structure isn’t anything else but telling the story, starting as late as possible, starting each scene as late as possible. You don’t want to begin with “Once upon a time,” because the audience gets antsy.
WILLIAM GOLDMAN
Who will teach me to write? a reader wanted to know. The page, the page, the blankness of eternity which you cover slowly, affirming time’s scrawl as a right and your daring as necessity; the page, which you cover woodenly, ruining it, but asserting your freedom and power to act, acknowledging that you ruin everything you touch but touching it nevertheless, because acting is better than being here in mere opacity; the page, which you cover slowly with the crabbed thread of your gut; the page in the purity of its possibilities; the page of your death, against which you pit such flawed excellences as you can muster with all your life’s strength: that page will teach you to write.
ANNIE DILLARD
Examine your motives. Are you drawn to fiction writing because it can be performed cheaply at home? Are you an alcoholic looking for an excuse to sleep late? Writing is for compulsive storytellers. So are a lot of things—police work, diplomacy, counseling the needy, etc. Before you commit to writing as a career, make sure you’re not simply agoraphobic or depressed.
NELL ZINK
Composition is a discipline; it forces us to think. If you want to “get in touch with your feelings,” fine—talk to yourself; we all do. But, if you want to communicate with another thinking human being, get in touch with your thoughts. Put them in order; give them a purpose; use them to persuade, to instruct, to discover, to seduce. The secret way to do this is to write it down and then cut out the confusing parts.
WILLIAM SAFIRE
The unconscious mind takes the germ of an idea and develops it, but usually this happens only when a writer has tried hard, and logically, to develop it himself. After he has given it up for a few hours, getting nowhere, a great advancement of the plot will pop into his head. I have been waked up in the night sometimes by a plot advancement or a solution of a problem that I had not even been dreaming about.
PATRICIA HIGHSMITH
I like grit. I like love and death. I’m tired of irony. A lot of good fiction is sentimental. The novelist who refuses sentiment refuses the full spectrum of human behavior and then he just dries up. I would rather give full vent to all human loves and disappointments and take a chance on being corny than die a smartass.
JIM HARRISON
I think “writer’s block” is a natural part of the creative process for almost all writers. There are times when one is bursting with ideas and inspiration and all the necessary components—time, focus, etc.—are in place. But there are other times when one or more of those elements is missing and writing is more difficult as a result. I have written for long enough to accept these patterns, and to understand that the blocks are temporary, that eventually, if one sticks to a schedule and tries to write on a regular basis, something will eventually come. I think a lot of what people refer to as “writer’s block” is the period during which ideas gestate in the mind, when a story grows but isn’t necessarily being written in sentences on the page. But it’s all necessary, in the end. If I am feeling stuck or uninspired, I usually take a break and read. That always gets me going again.
JHUMPA LAHIRI
I believe the road to hell is paved with adverbs, and I will shout it from the rooftops. To put it another way, they're like dandelions. If you have one on your lawn, it looks pretty and unique. If you fail to root it out, however, you find five the next day…fifty the day after that…and then, my brothers and sisters, your lawn is totally, completely, and profligately covered with dandelions. By then you see them for the weeds they really are, but by then it's—GASP!!—too late. "I can be a good sport about adverbs, though. Yes I can. With one exception: dialogue attribution. I insist that you use the adverb in dialogue attribution only in the rarest and most special of occasions...and not even then, if you can avoid it.
STEPHEN KING
No one can teach you exactly how to write. Each person approaches creative writing differently. Every writer has his or her own method. I usually have a character or story idea inside my head for a long time (sometimes years) before I actually begin. I know where I'm starting and where I'm going but I never know what's going to happen in the middle or if the ending will be what I imagined on the day I began to write. It's the surprise that makes writing exciting for me. Other writers know everything before they begin. They make detailed outlines or have it all worked out in their heads before they put a word on paper. There is no right way or wrong way. There are a hundred different ways to tell the same story. Whatever works for you is okay.
JUDY BLUME
I’ve gone through periods of not writing anything, but I’ve never felt blocked. I think it’s just a lazy-thinking kind of cliché, this idea of writer’s block. In a very obviously lavatorial way, it suggests that you’ve got something in you and you can’t get it out because of the blockage. So you’re straining away, and then it becomes more and more blocked. Whereas I’ve gone through phases where I just haven’t had anything to say. That’s made life a bit boring because, well, I’ve always had plenty of time, and without writing the days are pretty long—though as you get older they speed past pretty quickly anyway. And I’ve gone through phases where I’ve dreaded the idea of writing. Writer’s dread. Now there’s a subject for an essay—if one could face writing it. Another thing I am persuaded of is that I’ll run out of fiction to write long before I give up writing the other stuff—even though that means we’ve come full circle and I am now admitting a distinction I began by denying. Maybe we should start over?
GEOFF DYER
Writerly wisdom of the ages collected by the author of Advice To Writers, The Big Book of Irony, and The Portable Curmudgeon.
Copyright © Jon Winokur 2019-2025. All rights reserved. Website by Wei-Haas Creative.
The trademark AdviceToWriters® is registered in the U.S. Patent and Trademark Office.