What We Call Poetry

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It is occasionally possible, just for brief moments, to find the words that will unlock the doors of all those many mansions inside the head and express something— perhaps not much, just something—of the crush of information that presses in on us from the way a crow flies over and the way a man walks and the look of a street and from what we did one day a dozen years ago. Words that will express something of the deep complexity that makes us precisely the way we are, from the momentary effect of the barometer to the force that created men distinct from trees…and in that same moment, make out of it all the vital signature of a human being—not of an atom, or of a geometrical diagram, or of a heap of lenses—but a human being, we call it poetry.

TED HUGHES

What Matters

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What matters is that you do good work. What matters is that you produce things that are true and will stand. What matters is that the Flaming Lips’s new album is ravishing and I’ve listened to it a thousand times already, sometimes for days on end, and it enriches me and makes me want to save people. What matters is that it will stand forever, long after any narrow-hearted curmudgeons have forgotten their appearance on goddamn 90210. What matters is not the perception, nor the fashion, nor who’s up and who’s down, but what someone has done and if they meant it. What matters is that you want to see and make and do, on as grand a scale as you want, regardless of what the tiny voices of tiny people say.

DAVE EGGERS

We'd Better Think About Audience

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We’re not only allowed to think about audience, we’d better. What we’re doing in writing is not all that different from what we’ve been doing all our lives, i.e., using our personalities as a way of coping with life. Writing is about charm, about finding and accessing and honing ones’ particular charms. To say that “a light goes on” is not quite right—it’s more like: a fixture gets installed.

GEORGE SAUNDERS

A Simple Structure Will Do

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A simple and straightforward structure will do. Structure is one of those craft decisions that unfortunately one cannot avoid when writing a novel. Some novels may be remembered for their ingenious structures, but a novel does not have to have an ingenious structure to be great. A simple structure will do just fine. For instance, War and Peace has the most straightforward structure: the novel alternates between war (characters in the military settings) and peace (characters in the civilian settings). A complex book doesn’t have to have a complicated structure.

YIYUN LI

Write in the Gush

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The secret of it all, is to write in the gush, the throb, the flood, of the moment – to put things down without deliberation – without worrying about their style – without waiting for a fit time or place. I always worked that way. I took the first scrap of paper, the first doorstep, the first desk, and wrote – wrote, wrote. By writing at the instant the very heartbeat of life is caught.

WALT WHITMAN

Procrastination and Self-Doubt

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I can’t help my procrastination. And for me, at least, it is intimately connected to self-doubt. The novel I’m envisioning at any moment and the novel I’m actually writing are never the same. One is perfect; the other is imperfect. One is intricate and surprising and beautiful; the other is straightforward and conventional and ugly. So ugly that I can’t bear to look at it just yet. When I try to put the fictional world into real words, the result is often frustrating. Before I’ve even started writing the story in my head, I know it will disappoint me on the page.

LAILA LALAMI