The Natural State of All Writing

It’s hard to make something that’s interesting. It’s really, really hard.... Basically, anything that anyone makes.... It’s like a law of nature, a law of aerodynamics, that anything that’s written or anything that’s created wants to be mediocre. The natural state of all writing is mediocrity. It’s all tending toward mediocrity in the same way that all atoms are sort of dissipating out toward the expanse of the universe.... So what it takes to make anything more than mediocre is such an act of will.... That feels exactly the same now as it did the first week of the show.

IRA GLASS

Writing Is an Act of Courage

I strongly believe that writing is an act of courage. It’s almost an act of physical courage. You get up and you have this great idea. Maybe you were hanging out with your friends—you guys were having beers and you were talking about something. You had this idea and they said, “Wow, that’s brilliant! Someone should go write it.” And you sit down to write it and almost always what was brilliant before, when you were sitting around talking, is somehow not so brilliant when you go to write. It’s as though you have a certain music in your head, and trying to get that music out on a page is absolute hell. And so you fail. If you’re doing it correctly, what happens is, the translation of what you hear in your head, what your idea is in your head, will almost always come out really badly on the page when you first write, okay? But what you have to do is you have to give yourself a day, go back, revise over and over and over again until you get something that is at least maybe 70 percent of what you wanted to do. You try to go from really bad to okay to acceptable. Then you know you’ve done your job. I never really get to that perfect thing that was in my head, so I always consider the entire process about failure. I think that’s the main reason why more people don’t write. It’s very depressing in that way.     

TA-NEHISI COATES

MFA Programs

Education aside, my most emphatic piece of advice regarding whether or not to attend an MFA program has to do with money: No one should go into debt to study creative writing. It’s simply not worth it. Do not think of it as an investment in yourself that you’ll be able to recoup later on. This is not medical school. There are many more MFA programs turning out many more writers than the market can possibly bear; the law of averages dictates that a great percentage of graduates are never going to make anywhere close to a living practicing their craft. Every MFA program has some level of financial aid that is based on how talented you are deemed to be, which is another way of saying how badly that program wants you. If you get into an MFA program without an offer of financial aid, sit out a year and then reapply.

ANN PATCHETT

The Imagination Doesn’t Crop Annually

The imagination doesn’t crop annually like a reliable fruit tree. The writer has to gather whatever’s there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time; and yes, oh dear, while he’s been hard at work downstairs, up in the attic there are puckering skins, warning spots, a sudden brown collapse and the sprouting of snowflakes. What can he do about it?”

JULIAN BARNES

The Useless Days Will Add Up

The useless days will add up to something. The shitty waitressing jobs. The hours writing in your journal. The long meandering walks. The hours reading poetry and story collections and novels and dead people’s diaries and wondering about sex and God and whether you should shave under your arms or not. These things are your becoming.

CHERYL STRAYED

Bad Dialogue

Nothing can break the mood of a piece of writing like bad dialogue. My students are miserable when they are reading an otherwise terrific story to the class and then hit a patch of dialogue that is so purple and expositional that it reads like something from a childhood play by the Gabor sisters. ... I can see the surprise on my students' faces, because the dialogue looked okay on paper, yet now it sounds as if it were poorly translated from their native Hindi.

ANNE LAMOTT

Don't Struggle

I don’t struggle because I was always the stupidest kid in the class and the idea that I would ever be brilliant was knocked out of me in the third grade. So I’m not sitting around trying to be brilliant, or Shakespeare. I’m just trying to get the work I have in my head down on the page in the best way I possibly know how without putting that horrible pressure on myself of saying “I’m going to write it today and in 200 years at Princeton they will be studying these words.” Yeah, I want my stuff to be as good as I can conceivably make it, but I am not going to put that on my head.

STEPHEN J. CANNELL

Shimmering Ordinariness

I would say, if one were beginning to write, there are two places I would start, especially with American writers. One would be the particular chapter in Bellow’s Herzog where Herzog goes back to his New York apartment, showers and changes, and goes to see his lover. That’s all that happens, basically, but there are just some of those superb Bellovian asides, divagations, on what it is to be a man, to be in a city, in a century, in a country, of a class, in a time.... He really has that deep-sea thinking, but also caught up with a shimmering ordinariness. That chapter, which is actually about sixty or seventy pages long, I think is a masterwork, rarely equaled in any fiction.

IAN McEWAN

Talent Is Overrated

Talent is overrated, and it is usually conflated with nice style. Passion, vocation, vision, and dedication are rarer, and they will get you through the rough spots in your style when your style won’t give you a reason to get up in the morning and stare at the manuscript for the hundredth day in a row or even give you a compelling subject to write about. If you’re not passionate about writing and about the world and the things in it you’re writing about, then why are you writing? It starts with passion even before it starts with words. You want to read people who are wise, deep, wild, kind, committed, insightful, attentive; you want to be those people. I am all for style, but only in service of vision.

REBECCA SOLNIT

Be Patient

If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.

HILARY MANTEL