There Should Always Be a Window

Writing is facing your deepest fears and all your failures, including how hard it is to write a lot of the time and how much you loathe what you’ve just written and that you’re the person who just committed those flawed sentences (many a writer, and God, I know I’m one, has worried about dying before the really crappy version is revised so that posterity will never know how awful it was). When it totally sucks, pause, look out the window (there should always be a window) and say, I’m doing exactly what I want to be doing.

REBECCA SOLNIT

If in Doubt, Cut It

The rule for most writers is, “If in doubt, cut it.” The Pulitzer Prize-winning writer John McPhee has called the process “writing by omission.” William Faulkner exhorted, “In writing you must kill all your darlings.” This is true at every level: If a word isn’t necessary in a sentence, cut it; if a sentence isn’t necessary in a paragraph, cut it; and if a paragraph isn’t necessary, cut it, too.

HARRY GUINNESS

Go Within

There is only one way: Go within. Search for the cause, find the impetus that bids you write. Put it to this test: Does it stretch out its roots in the deepest place of your heart? Can you avow that you would die if you were forbidden to write? Above all, in the most silent hour of your night, ask yourself this: Must I write? Dig deep into yourself for a true answer. And if it should ring its assent, if you can confidently meet this serious question with a simple, “I must,” then build your life upon it. It has become your necessity. Your life, in even the most mundane and least significant hour, must become a sign, a testimony to this urge.

RAINER MARIA RILKE

Just Write as Well as You Can

The best advice came from my agent, when I was a year or so into my career. I was dithering about a future project, saying that there was a way to do it that would be accessible and commercial, and a way to do it that would be smart but unpopular. He said, “Just write as well as you can.” That advice has saved me years. I never again asked the question, of myself or anyone else. It’s the only way to work—don’t write to what you perceive as a market. Don’t write out of anyone’s need except your own. Don’t try to cater to an audience you think may not be keeping up with you—find the audience who will. I have amplified the advice in my mind: just serve your subject. Each book makes different and fierce demands. Each one uses up all you can do. Later you may be able to do more.

HILARY MANTEL

The Oppositional Imagination

For more than fifty years I have been writing, tearing up, revising poems, studying poets from every culture and century available to me. I have been a poet of the oppositional imagination, meaning that I don’t think my only argument is with myself. My work is for people who want to imagine and claim wider horizons and carry on about them into the night, rather than rehearse the landlocked details of personal quandaries or the price for which the house next door just sold.

ADRIENNE RICH

Stop Aspiring and Start Writing

Advice? I don’t have advice. Stop aspiring and start writing. If you’re writing, you’re a writer. Write like you’re a goddamn death row inmate and the governor is out of the country and there’s no chance for a pardon. Write like you’re clinging to the edge of a cliff, white knuckles, on your last breath, and you’ve got just one last thing to say, like you’re a bird flying over us and you can see everything, and please, for God’s sake, tell us something that will save us from ourselves. Take a deep breath and tell us your deepest, darkest secret, so we can wipe our brow and know that we’re not alone. Write like you have a message from the king. Or don’t. Who knows, maybe you’re one of the lucky ones who doesn’t have to.

ALAN WATTS

Acquire a Cat

If you want to concentrate deeply on some problem, and especially some piece of writing or paper-work, you should acquire a cat. Alone with the cat in the room where you work ... the cat will invariably get up on your desk and settle placidly under the desk lamp ... The cat will settle down and be serene, with a serenity that passes all understanding. And the tranquility of the cat will gradually come to affect you, sitting there at your desk, so that all the excitable qualities that impede your concentration compose themselves and give your mind back the self-command it has lost. You need not watch the cat all the time. Its presence alone is enough. The effect of a cat on your concentration is remarkable, very mysterious.

MURIEL SPARK

The Novel Can Feel Like a Symphony

The reason that I am so interested in outlining…is that it serves what I’m trying to achieve in the novel. One of the things I’m interested in is how the novel can almost feel like a symphony, where there are movements over the course of the novel. It’s like how there are motifs or themes that are picked up and visited over the course of a symphony, perhaps played by different instruments — maybe this theme is played by an oboist as a solo, and then suddenly it’s in full instrumentation ten minutes later. When you get to the end of a novel, there’s this feeling of the culmination of all that you’ve been listening to coming to bear on the final conclusion. That’s really what I’m interested in doing in the novel, to some degree. And for me to achieve that outcome, it requires planning.

AMOR TOWLES

Keep Your Mouth Closed

Carry the book you’re writing in your imagination, but keep your mouth closed. That way, nothing that belongs to the book will escape--no image will fade from overexposure, no dialogue will become rote, and no idea will lose its full impact. Sealed in its original container--your head--your work will retain all its freshness and flavor.

ROBERT MASELLO

Make Writing Habitual

Try to make writing habitual. I think that if we’ve learned one thing in the last two years, it’s that we are very trainable creatures. If you’re out of the habit of writing, it feels really hard to do. And if you’re in the habit of writing it feels weird not to do it. The goal is to write regularly enough that it feels weird not to do it, so that you generate material. It’s very much like exercise in that way, and so what I find is that, in order to write regularly, I have to allow myself to write badly.

JENNIFER EGAN