Reading Is Everything

Reading is everything. Reading makes me feel like I've accomplished something, learned something, become a better person. Reading makes me smarter. Reading gives me something to talk about later on. Reading is the unbelievably healthy way my attention deficit disorder medicates itself. Reading is escape, and the opposite of escape; it's a way to make contact with reality after a day of making things up, and it's a way of making contact with someone else's imagination after a day that's all too real. Reading is grist. Reading is bliss.

NORA EPHRON

Don't Overcrowd the Narrative

Don't overcrowd the narrative. Characters should be individualised, but functional – like figures in a painting. Think of Hieronymus Bosch's Christ Mocked, in which a patiently suffering Jesus is closely surrounded by four threatening men. Each of the characters is unique, and yet each represents a type; and collectively they form a narrative that is all the more powerful for being so tightly and so economically constructed.

SARAH WATERS

The Answer Is to Write

If you’re afraid you can’t write, the answer is to write. Every sentence you construct adds weight to the balance pan. If you’re afraid of what other people will think of your efforts, don’t show them until you write your way beyond your fear. If writing a book is impossible, write a chapter. If writing a chapter is impossible, write a page. If writing a page is impossible, write a paragraph. If writing a paragraph is impossible, write a sentence. If writing even a sentence is impossible, write a word and teach yourself everything there is to know about that word and then write another, connected word and see where their connection leads. A page a day is a book a year.

RICHARD RHODES

There Are No Original Stories

I would say to young playwrights, especially, don’t worry so much about the story. There are no original stories. All the stories have been told in one form or another. The only thing that makes a successful play is the delineation of character. Be sure you write good parts. Interesting, dramatic, amusing, romantic — it’s the characters that make the play.

GARSON KANIN

Chapters

A chapter isn’t a short story and needn’t be able to stand alone, nor is it just a random break that signifies that the novelist is tired of this particular storyline and would like to go on to something else. Chapters are like the foot pedals on a piano; they give you another level of control. Short chapters can speed the book along, while long chapters can deepen intensity. Tiny chapters—a lone paragraph or a single sentence—can be irritatingly cute. I like a chapter that both has a certain degree of autonomy and at the same time pushes the reader forward, so that someone who is reading in bed and has vowed to turn off the light at the chapter’s end will instead sit up straighter and keep turning the pages. (If you want to study the master of the well-constructed chapter—and plot and flat-out gorgeous writing—read Raymond Chandler. The Long Goodbye is my favorite.)

ANN PATCHETT