Don't Write What You Know

One of the dumbest things you were ever taught was to write what you know. Because what you know is usually dull. Remember when you first wanted to be a writer? Eight or 10 years old, reading about thin-lipped heroes flying over mysterious viny jungles toward untold wonders? That’s what you wanted to write about, about what you didn’t know. So. What mysterious time and place don’t we know?

KEN KESEY

Forget Your Personal Tragedy

Forget your personal tragedy. We are all bitched form the start and you especially have to be hurt like hell before you can write seriously. But when you get the damned hurt use it—don’t cheat with it. Be as faithful to it as a scientist—but don’t think anything is of any importance because it happens to you or anyone belonging to you.

ERNEST HEMINGWAY, in a letter to F. Scott Fitzgerald

The Answer is to Write

If you’re afraid you can’t write, the answer is to write. Every sentence you construct adds weight to the balance pan. If you’re afraid of what other people will think of your efforts, don’t show them until you write your way beyond your fear. If writing a book is impossible, write a chapter. If writing a chapter is impossible, write a page. If writing a page is impossible, write a paragraph. If writing a paragraph is impossible, write a sentence. If writing even a sentence is impossible, write a word and teach yourself everything there is to know about that word and then write another, connected word and see where their connection leads. A page a day is a book a year.

RICHARD RHODES

There's Nothin' to Know

There's nothin' to know. You have an idea, you write down what you wanna say. Then you get somebody to add in the commas and shit where they belong, if you aren't positive yourself. Maybe fix up the spelling where you have some tricky words... although I've seen scripts where I know words weren't spelled right and there was hardly any commas in it at all. So I don't think it's too important. Anyway, you come to the last page you write in 'Fade out' and that's the end, you're done.

“Bo Catlett” in Get Shorty, screenplay by Scott Frank, from the novel by Elmore Leonard

Schenectady

People ask me where I get my ideas. I always tell them, “Schenectady.” They look at me with confusion and I say, “Yeah, there’s this ‘idea service’ in Schenectady and every week like clockwork they send me a fresh six-pack of ideas for 25 bucks.” Every time I say that at a college lecture there’s always some schmuck who comes up to me and wants the address of the service.

HARLAN ELLISON